Well you've got to hand it to Trojan since they cut the price on these box sets it's hard to go wrong. But with this new Upsetter Box, if you have any of the many Perry / Upsetter collections already (especially any of the trojan anthologies), you'll be getting a whole lot of redundant material. Disc one covers Perry's pre-Black Ark days, with tracks dating back to 1968, recorded Randy's and Dynamic Sounds. This disc is contains not only the best material in the set but, unfortunately, also the most oft released tracks. Disc two contains tracks from Perry's Black Ark period and collaborations with King Tubby dating up to 1978. The third disc would be a great disc, containing several rare extended mixes of some of Perry's late seventies work including the Congo's "Neckodeemus", but it's soured by the addition of some of recently recorded tracks, including one from this year's awful 'Jamaican E.T.' album.
Trojan now has a contest on their website in which you can make a suggestion for upcoming box set releases. You can choose just the theme, or even go as far as picking out the tracks. And though I wish I could lay claim to the concept that's been floating around to make the Trojan Overlap Box Set, I can't -- somebody else already brilliantly suggested that Trojan release a box set of tracks everyone already has on at least three other Trojan compilations. And if Trojan's sense of humor is at least half the size of their opportunistic abilities, they might just release it. So now you're probably wondering whether or not you should get this. Well, truth is, this is actually a fucking great copulation... err, I mean compilation. Taken from bewteen 1966 and 1975, the tracks range from the subtle double entendre style reminiscent of early mento and calypso artists to the quite overt x-rated. It's the former that by far are the most entertaining as it demonstrates the lyricist's skills in avoiding the wrath of censors, and yet some of the naughtier x-rated cuts can be equally hilarious. Not to mention the Monty Python-esque tracks where two men sing both the male and female parts... strange. It seems as though the production on much of the tracks here is a bit more loose, for lack of a better word, which lends to stranger arrangements at times. I imagine that many of the tracks were not intended for any wide scale release and as such the artists and producers both had more fun in the recording studio. And these aren't obscure producers and singers featured here either. You've got Lee Perry (he's all over this one). Max Romeo (you've never heard Max until you hear him sing "Play With Your Pussy"), Augustus Pablo, U Roy, Niney the Observer, Phyllis Dillon, Derrick Morgan, Lloyd Charmers to name a few. Trojan insures us that a great deal of these tracks have never before been released on CD. So, as Trojan boxes go, we give this one the thumbs up, but don't go playing this one around the family over the holidays.
The monster box set from Trojan has arrived. 30 cds, totalling in at 500 tracks, available for a reasonable price. This box contains the first 10 boxes in the Trojan Box series: Ska, Dub, Rocksteady, DJ, Lovers, Tribute To Bob Marley, Instrumentals,
As much as we dug Daft Punk's Tron soundtrack, and we did, this remix collection seems to be directed at all the haters who lamented the lack of Daft Punk style dance music on said soundtrack, so in lieu of the more appropriately cinematic sounds found there, here you'll find just what everyone was hoping for, big pounding block rocking beats, fat fuzzed out synths, wild sci fi squiggles, huge thick swaths of speaker rattling low end, glimmering future disco melded to various strains of modern dance music, DP's original sounds cranked and blown out and turned into the sort of dancefloor bliss that fans of Daft Punk / Justice / Chemical Brothers / Basement Jaxx go nuts for.
And we're right there with you. We were sold a minute into the first track. "Derezzed" was already one of the few Daft Punk songs on the Tron soundtrack that sounded like Daft Punk, but here, Glitch Mob take the original and make it even more, slowing it down, the bass thick and dense, the beat more dubsteppy, the sound crunchy and explosive and loud and funky and in its own way HEAVY. Then there's the M83 track, that sounds exactly like what you might think M83 and Daft Punk would sound like together, the vibe soaring and eighties, falsetto vox over epic buzzing synths and swirling futuristic ambience, it may be on a Daft Punk remix record, but it would sound right at home on a M83 record proper.
And so it goes. From house to trance, dubstep to techno, swirly spaced out ambience to groovy low slung futurefunk, lots of names you know: Crystal Method, Moby, Photek (!), Paul Oakenfold, and plenty more you don't: Pretty Lights, Japanese Popstars, Kaskade, Teddybears, not to mention the awesomely named Com Truise, these jams pretty much all anyone into any of the above mentioned folks could ask for...
Lilith is really on top of the Tropicalia reissues and this time we see back in stock the compilation / collaboration that served as the Brazilian movement's defining manifesto while also highlighting the key musical players: Gil Gilberto, Caetano Veloso, Os Mutantes, Gal Costa and producer Rogerio Duprat (with contributions from Nara Leao, Tom Ze, and Vicente Celestino among others). We were surprised to find we didn't review this ten years ago when we first discovered and raved about Os Mutantes and heard about the Tropicalia movement from the late sixties with all this amazing and creative art, poetry and music. Although it's easy to be blinded by Os Mutantes' genius, as they were definitely the most rocking and performative component of the movement, which was made up of mostly singer-songwriters that came from more traditional musical forms of Samba, Fado and Bossa Nova. So perhaps we were less floored musically with that aspect of this compilation at the time, or just didn't appreciate enough the then-radical concept of mashing all these disparate forms of psychedelic rock, Afro-Caribbean rhythms and Brazilian popular styles together in a country that nationalized its traditional music to such a degree that even electric instruments were considered anathema. We are definitely appreciating it much more now. Especially after becoming more familiar with the solo work of each of the contributors, we're more open this time around to the softer nuances of the song writing and performances. Panis et Circencis (Bread and Circuses) is both a celebration and a political critique, a collaboration of unity and vitality and most of all longevity.
You can always count on Soul Jazz for a beautifully packaged and well thought out compilation. This time out it's a trip to late '60s early '70s Brazil for the suave sounds of the founders of tropicalia. Caetano Veloso, Tom Ze, Gal Costa, Jorgen Ben, Gilberto Gil, and of course ultimate AQ faves Os Mutantes. With a sound that mixes elements of psychedelic rock, samba, funk, soul and avant-garde aesthetics like tape loops and delays. Crazy to think that during the dictatorial political atmosphere in Brazil at the time many of these artists were seen as dangerous because of the revolutionary sounds they were creating. Veloso and Gil were even arrested and deported. What they began was a sound and style that's been picked up by new generations across the globe. Just listen to records by Beck, Olivia Tremor Control (listen to the Veloso sound sample, an OTC dead ringer!), Sam Prekop, David Byrne and many others and you can hear how these sounds have shaped some of the smartest pop music of the last quarter-century.
There's no shortage of incredible reissue labels, and depending on our mood, or what record just came out, we could go any way if forced to pick, but honestly, we find ourselves always coming back to Omni, not only are their reissues incredibly and meticulously researched and curated, with extensive liner notes, rare photos, all that jazz, but the sounds are bizarre and beautiful, balancing precariously between unsung country classics, and the demented dark underbelly of country music, we love both, but definitely lean toward the latter, and thankfully, so does Omni it seems. As if to prove that point, along comes Troubled Troubadours, another collection of sick twisted country sounds, which on the surface, aren't so obviously twisted, but dig a little deeper and these songs blossom into far out tales of misery and woe, murder and mayhem, even one about shooting God! Weird indeed.
There are some musical moments of madness, the bizarre looped vocal / Theremin sounding main melody on Homer And Jethro's "Monster Mash" sounding "A Crept Into The Crypt And Cried" for example, but then there's intense dark musical gems like Waylon Jennings' "Delia's Gone", a brooding dark creep complete with haunting sitar buzz. Dolly Parton contributes two tracks, one a haunting tale of an abandoned mother, the other, a harrowing tale of a women committed, and longing for her Daddy to come set her free. And then there's the aforementioned "Are They Gonna Shoot God", a weepy melodramatic soft focus hippy country ballad, where a little boy asks his daddy if they're gonna shoot God, while an angelic chorus echoes the question. Weird. Porter Wagoner is present of course, Omni has already done two Wagoner collections, and here Wagoner tells the tale of "Waldo The Weirdo". Cargill Henson makes an appearance too, after two of his own Omni collections, with the reverbed jangle of "Daddy, What's A Tree?". There's Bobby Bare's "Your Credit Card Won't Get You Into Heaven", a cautionary tale, all gospel organ and baritone croon, and Lester Flatt's "I Can't Tell The Boys From The Girls", another cautionary tale of sorts, about dating in the big city, and so it goes. Every song, no matter how traditional sounding on the surface, hiding something sick or sinister, hilarious or goofy underneath.
If you dug any of the other Omni records, Porter Wagoner, Dee Mullins, Johnny Paycheck, Lorne Greene or the Plantation Gold collection, which was a former Record Of The Week, then odds are you're gonna dig this too. And most definitely recommended to any fans of incredibly strange music. Country or otherwise...
In an attempt to come up with the perfect compilation (in the spirit of collections like No New York, Flex Your Head, Not So Quiet on the Western Front and the like), Mike Troubleman took four years to compile this appropriately titled "Mix Tape" of bands he's
Punky noisy label Troubleman records has put out many awesome records; this comp is a low-priced way to check out tracks from a bunch of their current, recent and here-very-soon releases. Features a ton of AQ and customer fave bands! Dig it: Erase Errata, Wolf Eyes, Glass Candy, Orthrelm, The Walkmen, Subtonix, Pixeltan, The Roger Sisters, Songs Of Zarathustra, Meta*Matics, The Flying Luttenbachers, The Panthers, ABC's, Numbers, Kepler, Red Monkey, The Lack, Touchdown, Milky Wimpshake and Pussycat Trash, plus an Erase Errata remix by Adult (from the upcoming Erase Errata remix album).
MPEG Download: ERASE ERATTA "Marathon (Adult. Remix)" [/audio/eraseerratamarathonrmx.mp3]
MPEG Stream: ERASE ERATTA "Marathon (Adult. Remix)" [/audio/eraseerratamarathonrmx.m3u]
Presented by the Country Music Hall Of Fame, here's a great collection from what's one of Allan's favorite country western genres, the truck driving song! Songs about truckstop waitresses, black coffee, night runs, little white pills, and dangerous curves (of
From the darkest past we summon thee: early 7" vinyl releases from several of Norway's elite black metal tyrants, now collected on one handy cd. So if in 1992 you missed picking up Immortal's 7" debut, or failed to get Emperor's "As The Shadows Rise" 7" ep in '94, now's your chance to add those tracks to your collection. Rare 7" tracks by Dimmu Borgir, Arcturus, and the somewhat out-of-their-league Ancient are also found here. Far from most of those bands' current highly-polished, produced sounds, these early singles are nothing if not steeped in a raw, primitve black metal urgency and atmosphere that still makes the blood run cold. And, if these classic cuts weren't enough, this digipak also includes an amazing fold-out "map" of the Norwegian blackmetal community, a kind of convoluted family tree demonstrating the unholy links among these bands and many many others. Very cool, almost essential for true black metal fiends.
Watch your back Numero Group, as Now Again has also been releasing some amazing soul reissues over the last few years. With this compilation they put their soul discovery focus on the True Soul label from Arkansas during the 1960s and 1970s. Much like the US punk/hardcore scene that would arise in the early '80s, the underground soul scene embodied a similarly DIY spirit, and thus shared many parallels, regional labels, record stores being magnets for the scene, sharing practice spaces and recording time, playing in unusual venues, and doing it all for the love of the music, even if fame and fortune never came, no matter how much these fellas sound like James Brown! Billed as 'Deep Sounds From The Left Of Stax', this really is deep hitting, nitty gritty soul and funk that isn't about flash and appearance as much as it is really getting to the heart of things. We blast this in the store, imagining being in some musty, smoke filled lounge in Arkansas as folks like Thomas East, Albert Smith, Ren Smith, and The Leaders play sweat dripping sets. Don't worry if none of the above mentioned names don't ring a bell for you, they didn't for us either. But this collection further proves how much amazing soul was created during this special era that never got the wide attention it so totally deserved. Super swank packaging, in a thick hardback book with tons of text, color photos, and record graphics, definitely giving these musicians their due! Plus there's a whole dvd disc featuring local TV performances by a bunch of these artists, 1973's True Soul Review, wow, amazing they dug this up too, way cool to see.
Kill Rock Stars was so eloquent with the subtitle "A Kill Rock Stars Retrospective Sampler" that we needn't mention anything beyond the track listing: Sleater Kinney, Unwound, The Bangs, The Gossip, Holly Golightly, Cadallaca, Har Mar Superstar, Two Ton Boa, Jim Carroll, Kleenex, and many more!
We are all quite excited about the cd release of Turkish Delights comp (though Byram's a bit irked 'cause he bought the original vinyl and now is faced with a cd version that adds 11 extra tracks!). In total, there's 26 tracks here, dating from 1965 to 1971,
Along with the new cd version, we now have more copies of the "Turkish Delights" LP (which was so hard to get when it first came out that we only ever had a handful and were never able to list it). 15 tracks on this baby instead of the 26 on the cd, but what you lose in bonus cuts you gain in, uh, vinyl. And the art looks better, we think.
Three little words guaranteed to get us all excited: Turkish psych comp. That's all it takes. (A fourth word, used in the title here, "Freakout", doesn't hurt either.) Compilations like Turkish Delights, Hava Narghile, and the Turkish installment of Love Peace & Poetry have all been staples here at AQ, and have turned us on to so many amazing bands like Mogollar, Ersen, and 3 Hur-el. Our only worry with a new Turkish psych comp is that it will redundantly duplicate tracks we've already got, but fortunately that's not the case with this one, only a few of the 18 tracks here had we heard before, with some of the artists being completely new to us. And, also, awesome!
Focusing solely on selected rare 45 rpm 7" singles releases, dating from the late '60s to 1980, this comp is evidence that it was a groovy decade in Istanbul for sure. Funky -and- folky (yes, often at the same time), these tracks incorporate all the fuzz guitar, ethnic instrumentation, percolating percussion, exciting rhythms, and soulful vocals we've come to expect from the Turkish psych scene. It's a mesmerizing mix, there's a lot of highlights here, we can't really mention 'em all, but just to give you an idea, the first track, by Okay Temiz, sounds almost like it could come from that soundtrack by Rockford Kabine we made Record Of The Week recently, a sultry and "exotic" instrumental groove with some wild whoopin' elements that remind us of a Jean-Claude Vannier production. Then there's the cinematic strings and quasi doomy-riffing of Erkin Koray's dramatic "Sev Digim". And Alpay's "Seni Dilenyorum" is one we'd play for a friend wondering what all the vintage Turkish psych fuss is about. If they didn't dig that, we'd feel real sorry for them.
In addition to those, the line-up of artists here includes Kardaslar, Cem Karaka, Apaslar, Beyaz Kelebekler, Ajda Pekkan, Sevil & Ayla, Baris Manco, Rifat Oncel, Ersen, Onder Bali, and Arif Sag. And fortunately, the deluxe digipack includes a thick 40 page booklet, full of liner notes about 'em all, along with original 45 sleeve art. Nicely done, as comps/reissues go. And on top of that, most of the other Turkish psych collections we mentioned at the top of this review are now out of print, so this will become a go-to comp for us in one of our favorite genres.
We're always saying we just can't get enough of that vintage Middle Eastern psych music, hence a sequel to last year's great Turkish Freakout comp is quite freaking welcome! Here 'tis, 17 more tracks from rare Turkish records (mostly 7" singles) of the seventies, by some artists we'd heard of, and plenty of others we hadn't. As with volume one, there's definitely lots of great tunes here we hadn't come across before! The lineup includes: Baris Manco, Edip Akbayram, Cem Karaca + Mogollar, Afet Serenay, Kerem Guney, Gokben, Gulcan Opel, Sevil and Ayla, Kamuran Akkor, Ozel Turkbas, Perihan, Sakir Oner Gunham, Sirin, and Kenan. Lush and lively stuff all of it, like belly dancing music taken to psychedelic extremes.
Amongst these tracks, you'll hear lots of lovely female singers, moody men too, and the rhythms of stately folk dances infused with FUZZ, with orchestral strings, electric saz, synth, indeed wild Moog madness, flutes and whistling, wah wah guitar and funky drum breaks, stuff that's groovy and spacey and exotically poppy. The usual in other words.
There's a thick 36 page booklet stuffed inside this digipack, one reason it's so thick is they devote a whole page to a full color reproduction of the single sleeve or lp jacket from which each of these tracks is taken. On the facing page, some commentary from the anonymous compiler.
If you look through the booklet, you'll no doubt notice Afet Serenay. She has two cuts on here, both from her 1978 full-length lp Bir Of Ceksem. So that album cover is reproduced twice, and that's cool 'cause she's worth a second look for her fashion sense alone, posing on the cover of her record wearing a colorful rainbow striped wool sweater/dress and matching legwarmers. Wow. Also, one of Serenay's tracks, "Maden Dagi", you might recognize from the beloved Selda's somewhat different version of the same tune (they're folk songs after all) on her album Vurulduk Ey Halkim Unutma Bizi (aka Vol. 2). Likewise, the Edip Akbayram track here, "Mehmet Emmi" was also done by Selda.
Just like the first installment, worth freaking out over if you love Turkish psych - or any such international sounds - like we do. FYI, the gatefold double lp vinyl version we have now comes with a limited, bonus 7".
No this is not a Loverboy tribute album, though that might be cool... to absolutely no one! No, what we have here is a finely curated collection of rare 78 rpm tunes from obscure little known players, that investigates the fringes of commercial vernacular music. Odd instrumentation including singing saws, raucous Irish drinking songs, fiddle dances, children's tunes, charmingly off-kilter vocals highlight a quality of down-home music that is far from the norm of what most folks expect from American old time music. While maybe not quite as unhinged or bizarre as we usually like our "outsider" music to be, this is still wonderful old timey stuff, a thoroughly researched and highly listenable collection put together by expert Frank Fairfield, one of the most prominent modern practitioners of old time music working today.
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A solid introduction for all those who have only seen the hip-hop approach to wax tricks. This covers almost every other conceivable area of turntablist sound-art from Christian Marclay, Otomo Yoshihide, Merzbow, Crawling With Tarts, Erik M, Extasis, Frank Schulte, George Budd, L?K?O, Martin Tetreault, Massimo Simonini, Mood Man, PFN, Rik Rue, Takeshi Fumimoto, and Tsunoda Tsuguto.
A really nice cd version of the four vinyl Turntables by the Bay comps. This contains most but not all of the tracks from that series, along with really detailed liner notes, contact info for the DJs, etc. With tracks from star turntablists Q-Bert and other
This box set commemorates Dischord's first 20 years as a label and is an amazing and lovingly put together artefact. Three cds, with one track from each band on the label (including one track from each band on the seminal "Flex Your Head" compilation). The third disc is all unreleased material and contains some very early video footage of The Untouchables, The Teen Idles, SOA, Faith, Void and Deadline. 73 songs in all (21 unreleased) and a 134 page book with full page bio for each band written by Ian MacKaye, Jeff Nelson and Henry Rollins. This label has been such an inspiration to so many labels, bands, stores, activists, individuals, whatever. Hard working and obviously still in love with music even after all these years. The box set is sequenced in chronological order which is kind of cool because you get a feel for the way the bands and the label progressed, and because it's such a family affair, being that all the bands were from D.C., there are people showing up in a several different bands, so it illustrates the individual changes and transformations as well. So nice.
The 50 bands are as follows:
Teen Idles, The Untouchables, State of Alert, Minor Threat , Void, Youth Brigade, Government Issue, Scream, Iron Cross, Red C, Deadline, Artificial Peace, Faith, Skewbald, Marginal Man, Gray Matter, Rites of Spring, Beefeater, The Snakes, Dag Nasty, Embrace, Soulside, Egg Hunt, One Last Wish, Fire Party, Ignition, Three, Shudder to Think, Happy Go Licky, Fugazi, Lungfish, Fidelity Jones, The Nation of Ulysses, Holy Rollers, Jawbox, Severin, The High-Back Chairs, Autoclave, Circus Lupus, Branch Manager, Slant 6, Hoover, Trusty, Smart Went Crazy, The Crownhate Ruin, The Warmers, The Make-Up, Bluetip, Faraquet, Q and Not U.
Fflint Central is a U.K. label run by two extraordinarily nice guys and darn fine hosts (good enough to befriend a sick and bedraggled on-tour Andee and buy him Cokes). Fflint specializes in experimental electronics and harsh abstract noise. One would think that there's enough, or too much of both, but the men from Fflint have that something special (fuck-you attitude? undefinable sound? sense of humor?) that makes these records way better and way more interesting than the majority of the 'electronica' we hear these days. Fans of VV/M, Lesser and other 'troublesome' electonica will dig this stuff. Affordable CD-Rs. Go ahead and take a chance. You may regret it...
Here is the ubiquitous 'label sampler', but in this case, it's almost better to treat it like its own release, since there is so much overlap/incest among the Fflint stable of artists. All unreleased stuff form almost everyone on the label. From ear-splitting noise to soothing drones to pounding distorted beats to hypnotic pulses. From calculated compositions to all out mayhem. A good overview of an awesome new label.
Plastic Crimewave along with the ever so busy Arthur Magazine curated this great fest in Chicago which took place earlier this year. A fest with AQ faves all over it. And this comp of bands who performed at the fest is a nice consolation for those of us who couldn't be there. Festival or no, this is simply one badass compilation! With everyone from Mountains to Josephine Foster, Tony Conrad to Hototogisu, No Neck Blues Band to Jack Rose, you can tell this was a fest put together with great taste and a sense of how important varied sounds is to keep folks' attention. None of the bands sound exactly the same, but there is a definite stylistic thread that runs throughout. Maybe we'll make it to the next Two Million Tongues Fest...until then we'll be hanging out right here with this.
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Parallelism is the London based imprint run by Matador head /Air Traffic Controllers guitarist Gerard Cosloy. Portland, OR based Tom Greenwood and Josh Stevenson (of Jackie-O Motherfucker and Cast Exotic Archives, respectively), collect recordings documenting
Things have been rather quiet from the U.S. Pop Life camp for quite some time, but Contact Records ringleader Yoko Sawai bursts back with two new compilations (complete with visuals). A huge U.S. pop music fan, she moved to New York from Osaka a couple of years ago, and has been tirelessly releasing cds of diverse indie music with the intent to introduce Japanese kids to the American bands she loves. Basically each release is themed geographic or stylistic - whatever catches her fancy. Initially they leaned towards soft'n'twee pop, but over the years they've gotten progressively more abrasive and angstful. Volume 15 is no exception! It contains a stellar cast of very now, blisterin' bands like the Liars (exclusive track), Yeah Yeah Yeahs, Hella, Erase Errata, the Cherry Valence, and Enon (exclusive track). Please note: many tracks are previously (or soon to be) released in the U.S. however it's her hope that her comps will turn some Japanese kids onto the bands' albums from which these songs came. On this side of the Pacific however, they're the equivalent of a kickass comp tape from your friend Yoko.
Things have been rather quiet from the U.S. Pop Life camp for quite some time, but Contact Records ringleader Yoko Sawai bursts back with two new compilations (complete with visuals). A huge U.S. pop music fan, she moved to New York from Osaka a couple of years ago, and has been tirelessly releasing cds of diverse indie music with the intent to introduce Japanese kids to the American bands she loves. Basically each release is themed geographic or stylistic - whatever catches her fancy. Initially they leaned towards soft'n'twee pop, but over the years they've gotten progressively more abrasive and angstful. Oh, and don't be mislead by the titles! She does take quite a few liberties with band categorization. For example, this one, "Extension Of Electro" features few artists who fall under or near the genre "electro", but somehow Yoko's enthusiasm overrides any urge to be nitpicky. Volume 16 contains a dozen tracks including ones by Soviet, Yume Bitsu, Thievery Corporation, Andrew Duke and Ghost Orchids. Please note: many tracks are previously (or soon to be) released in the U.S. however it's her hope that her comps will turn some Japanese kids onto the bands' albums from which these songs came. On this side of the Pacific however, they're the equivalent of a nicely packaged comp tape from your friend Yoko.
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This disc is a Japanese import compilation with several familiar bands on it, including !!!, The Locust, OCS (local Tapas connoisseur, ex-Burmese fruitcake and current irritant for Pink & Brown John Dwyer), GoGoGo Airheart, Church Steps, Tristeza, Rumah Sakit, Out Hud, Tarentel and more. Most of the tracks are previously released, or forthcoming, with the exception of the Tarentel track and the Locust track (recorded live during their tour of Japan.)
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This time around Japanese music fanatic Yoko Sawai and her label Contact Records shine the spotlight brightly on the Chicago/Midwest U.S. indie world. Illuminated by its beam are 17 prime examples of the area's angstful, emo, post punk, and predominantly boy bands including Owls, Dianogah, Sweep The Leg Johnny, 90 Day Men, Toe, Vermont, Pele, Milemarker, A-Set and Atombombpocketknife.
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The very first volume of this wonderful pop series from Contact Records. A gal with a great love for American lo-fi pop, Yoko Sawai the sweetie pie behind this Osaka, Japan indie label, has gathered a more-than-lovely array of aural sweets. Highlights of these two dozen songs include the gorgeous, soaring gem Ninotchka's "I've Got Wings" (fyi, this cd is almost worth getting for this song alone! Previously available only on a 7" from Grimsey Records.), the super perky "Just Like Henry" by Dressy Bessy, and Of Montreal's fragile "It's Easy To Sleep When You're Dead". Also happily present: Aislers Set, Silver Scooter, and Kittycraft. Note: some of these tracks are previously released in the U.S.
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The second installation of this American pop series from Japan. Much more eclectic than volume one. Quite a few familiar faces: Macha, Beachwood Sparks, I Am Spoonbender, Bright Eyes, The Legendary Jim Ruiz Group, Elf Power, and The Music Tapes. And yes, we should let you know that a number of these tracks are previously released domestically.
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Usually Contact Records' boss Yoko Sawai can be found waving the pretty, sugar pop flag, but every once in a while she throws a bit of a twist into the works. Like rocking out front and center at a slew of heavy-duty The Locust / I Am Spoonbender / Convocation Of shows, or releasing this "experimental" music compilation in her U.S. Pop Life series. While the artists on this compilation are far from we would call experimental (no Maurizio Bianchis or Francisco Lopezs here), they definitely gently push the edges of Yoko's pop envelope. 16 tracks including Arab on Radar, The Faint, Swirlies, Lightning Bolt, Kilowatthours. Note: as with other U.S. Pop Life collections, some tracks have been previously released.
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Contact Records head mistress Yoko Sawai recently made the mighty move from Osaka to New York City, but has shown no sign of slowing in her quest to compile a slew of cool, eclectic pop pursuits from all over the globe. Some of her recent releases included a cd from Calvin, Don't Jump! as well as 7"s from I Am Spoonbender and Yuji Oniki. On this the fifth volume of her U.S. Pop Life series, she focuses on Athens, GA. The track listing reads like a who's who of the Elephant 6 / Kindercore world including The Sunshine Fix (lead by former Olivia Tremor Controller Bill Doss), Japancakes, Of Montreal, and I Am The World Trade Center. Twenty tracks in all, many previously released in the U.S.
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Volume 8 of the U.S. Pop Life Series throws the spotlight on bands from the northeastern states: Pennsylvania, New York, New Hampshire, Maine, and Rhode Island to be exact. Decidedly less sweet than others in the series, this disc features songs from Rainer Maria, Lilys, Lenola, and Rebuilthangartheory. Please note: some tracks are previously released domestically.
Wow. This is one amazing boxset, visually, sonically, and for a limited time we're selling em, taking preorders now in fact, so if you want one, by all means order away, cuz you are probably gonna want one. Our pal Keith Utech offered to let us sell these special fancy box sets that were otherwise only available via the Utech website; no other store has 'em! (Thanks, Keith!).
So, what's this all about? Well over the past couple of years, Utech put out a series of handsomely packaged cds featuring artwork by Stephen Kasner, discs by Skullflower, Heavensore, Runhild Gammelsaeter, The Stargazer's Assistant, Klangmutationen Schwarzhagel, RST, Final, Aluk Todolo, and Blood Fountains.
This box contains all 9 of those releases, PLUS an exclusive remix cd featuring one track apiece from each of those artists. Those ten discs, which come in a very nice custom engraved, matte black box, are accompanied by a folded booklet featuring text by Kasner and Jenks Miller. In addition, you get a folder, also black, signed and decorated in silver ink, containing nine cards of Kasner's art. Each set is numbered out of 90, signed, and no two are completely identical.
We've reviewed most, if not all of the releases within this fantastical box, so you can look elsewhere on our site for the write ups, though we imagine you probably already know if this is something you want or not. (And might be kicking yourself if you already bought all nine cds separately, yeah, we know...). Basically, very special packaging for a collection of some really great, dark, experimental, heavy, weird cds!!
If you want one, let us know, Utech will get 'em to us really quickly. But we probably won't hold your order for it, we'll either ship it separately when it comes in, or if you're a regular orderer, we can just inlcude it in your next order!!
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
SORRY.
Fabulous comp of FRENCH girl groups doing ever so cool Sixties pop. Recommended!
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
SORRY.
Fabulous comp of FRENCH girl groups doing ever so cool Sixties pop. Recommended!
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
SORRY.
Finally, the next volume in the amazing Ultra Chicks series. More fabulous FRENCH girl groups doing cool and sexy Sixties pop. As usual, this is super limited, of dubious legality (definitely a bootleg) and totally recommended. Don't delay though, not sure how long we can keep these in stock!
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
SORRY.
Volume 5 in the popular Ultra Chicks series which compiles underground French girlpop tunes that would've been consigned only to memory were it not for the intrepid loyalty of one guy that's compiling these tracks onto disc and pressing them in small quantities. We usually run out of this series within days after it arrives, so don't delay.
With 2006 coming to an end, one of the things we are happiest about this year is that now, seven years after his passing, Moondog is finally starting to get some of the recognition, praise, and attention his amazing music deserves. This tribute album put out by the French label, trAce, is one of those rare compilations, which feature mostly artists we had never heard of (we already liked Jean-Jacque Birge and Ilitch, but Groupe d'Essai 3, Konki Duet, Stefan Laktos, Xenia Narati, Dragibus, et.al. are new to us) all of which ended up blowing us away! A lot of Moondog's uniqueness, comes from his highly individual use of percussion, his strong Native American and African influence as well as his deep appreciation of classical music, and the artists on this homage to Moondog totally get it. A wide range of sounds and perspectives capturing the great scope of sound that Moondog employed. Being both challenging and rewarding, experimental yet so totally listenable and pleasing.
Interspersed with short snippets of Moondog speaking, culled from an interview for Radio Triad in 1971, it's so nice to actually feel his presence on this record. Moondog's music has this way of being able to totally entrance, romance, and sweep one off their feet. Creating a world that is playful yet totally intense. We're so happy to report that this tribute to the genius of Moondog reaches that special space. So rare that a tribute album is able to do that, but in this case, this is not merely some people playing someone else's songs, this is the work of people whose souls and way of looking at music have been totally enriched by the magic of Moondog and this record feels like such a perfect way to celebrate his legacy.
Six of Japan's most out-there solo sonic performers each get a ten-minute-or-so track apiece on this new PSF compilation, Undecided. It's subtitled "JMSA Presents Wave from Free Music" but since that's about all it says here in English, your guess is as good as ours as to what that means exactly, although we surmise that the pieces here were recorded live at some festival. The six idiosyncratic voices contributing to this compilation are: Keiji Haino grinding out a dissonant hurdy gurdy drone, Imai Kazuo meditating on some very quiet guitar, Ohkuchi Junichiro playing some dreamy, abstract piano, Satoh Michihiro plucking his traditional tsugaruzyamisen, Otomo Yoshihide making a severe noise racket with turntables and guitar, and Urabe Masayoshi taking this disc's final step into the void with alto sax and breath. While the extremes represented here -- from the gentle sounds of Junichiro's piano to the scraping din of Haino's hurdy gurdy and who knows what else -- means that this doesn't exactly flow that well from track to track, the contents of this disc represent a fine sampler of the work of these very individual individuals. And the cd booklet is filled with beautiful black and white photography of the performers along with Japanese-language text.
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
SORRY.
"Cayman has a remarkable fiddle tradition with US country & Scottish roots, and Creole drumming under Tortola's fungii group mix of guitar of mandolin with washtub-bass"-John Storm Roberts / Original Music.
First cd release from this new-ish label specializing in that sort of woozy lo-fi pop sound that seems to be sweeping the nation, aQ included. Anyone into Blank Dogs, John Maus, Ariel Pink, Ducktails, Zola Jesus, Gary War, as well as other garage-y pop rockers like Oh Sees, the Intelligence, Ganglians, etc., will find that this awesome, bargain priced comp will probably hit the spot big time.
A few names we know, Ducktails, Julian Lynch, but a WHOLE bunch we don't (ahem, Frat Dad), but everything here taps into that same sort of DIY, broken 4-track, warped and twisted pop aesthetic that drives the above mentioned fave.
Frat Dad for instance, besides having the WORST band name, and the WORST song title ("Brosef") comes up with some cool reverby garage pop that would sound right at home between your Ty Segall record and your Oh Sees record. Pill Wonder are cool too, their songs sounding like Guided By Voices covering Beach Boys, all squiggly feed back and blown out bass wrapped around skittery drums and jangly guitars, and buried sort of lush harmonies. Real Estate are more songy, employing som reverb and delay, but for the most part relying less on texture and production, offering up two really nice twangy jams, one sort of rocking, one laid back and sort of Morricone-esque. Julian Lynch, a sometime collaborator with many aQ pop faves, has recently surfaced as an artist in his own right, and his tracks here are cool too, the Ducktails-ish calypso tropical pop of "Banana Jam Pt. 1" and the fuzzy loping indie dirge of "Droplet On A Hot Stone", with its distorted vocals and stumbling drums, wheezing synths, and murky ambience. It's all pretty good. Especially for all you who have been digging this particular sound lately, which we know is a LOT of you. Also included here are jams by Broken Trees, Liam The Younger, Andrew Cedermark, Family Portrait, Dana Jewell and Sad City.
A steal at $5!
The 2009 Summer installment of the Underwater Peoples label sampler was a big hit around here, super cheap, with tons of bands we dug, and a bunch more we had never heard, but end up digging as well. So hear we are a few months later and it's time for the second installment, for Winter 2010, and once again, lots of faves: Julian Lynch, Ducktails, Real Estate, some new discoveries like Pill Wonder (whose full length is reviewed elsewhere on this list), and the embarrassingly named Frat Dad, as well as a whole mess of new names, some of which will join the above on frequent play.
Much like Captured Tracks and Sacred Bones, Underwater Peoples have a sound, and a somewhat solid stable of regulars, so you sort of know what you're getting into, twisted, lo-fi pop, sometimes heavy on the tropical vibe, definitely a distinct surf vibe (or more specifically, some Beach Boys worship), some electronics, some jangly guitars, plenty of fuzz, lots and lots of reverb and delay and echo, but at the core of all these jams is pop, pure and simple, in all sorts of permutations.
Julian Lynch offers up some hazy electronic tinged groove pop, almost like a way more twisted and low fidelity Postal Service, with even dreamier vocals. Pill Wonder sound a bit like Fleet Foxes if they were less folk, and more tweaked pop, complete with lush harmonies and some fake synth strings. Ducktails do their drug addled broken 4-track, island tropical calypso dream pop thing, and it sounds as good as ever. Real Estate go all acoustic, and manage to whip up something pretty lovely and lush. Frat Dad unleash a super distorted chunk of blown out jangle pop. New names this time around that we're digging, Fluffy Lumber, with their warped eighties new wave synth pop, Big Trouble who sound a bit like Jesu or Nadja, if those guys recorded in their bedroom on an old tape deck, and Liam The Younger who kick up a seriously rad nineties sounding chunk of heavy shoegazey indie rock. But there's plenty more. So dig in. The price is definitely right, and odds are at least some (maybe even most) of these jams will end up on a future mix tape or on nonstop repeat play in your headphones...
