The absolute hardest albums to write about are those we hold in the highest esteem and though we have an aversion to the general notion of a "desert island selection", this Amon Duul II disc is one of those albums that we could see as an definite inclusion on
Finally! The first in a series of super limited, artist designed aQ T-Shirts, featuring original art by some of our favorite artists, who just so happen to be loyal aQ customers as well! Each one will be super special, totally unique, and will only be available for a limited time, as we're only making a finite amount of each.
The first shirt design is by aQ pal and infamous killustrator Justin Bartlett, whose style many of you no doubt will recognize. He's done tons of drawings for Oaken Throne black metal magazine, as well as record covers for grim groups like SUNNO))), Moss, Nadja, Pentemple and loads more. His style is incredible, super detailed, pen and ink with tons of stippling, lots of skulls and guts and demons and various crusty oozing offal. For aQ he's designed a super creepy and super evil mother and child, heads in bags, their rotten innards spilling out, skulls on spikes, and "Aquarius Records" carved into the stone archway in the background. It looks amazing, and will for sure get some eyes a popping as you wander through the grocery store or sit in church (heaven forbid).
The back features a small aQ logo up near the collar, the shirts are white on black, they are Hanes heavyweight T's, 100% preshrunk cotton, and we have sizes all the way from Youth Large (for kids and little ladies) all the way up to XXL (for the big guys).
We will only be selling these for a couple months, so don't miss out. Once they are gone, they won't be reprinted. EVER.
Future aQ Artist Edition T's will include designs by Savage Pencil, Stephen O'Malley, Aaron Turner and more more more!!!
Finally! The first in a series of super limited, artist designed aQ T-Shirts, featuring original art by some of our favorite artists, who just so happen to be loyal aQ customers as well! Each one will be super special, totally unique, and will only be available for a limited time, as we're only making a finite amount of each.
The first shirt design is by aQ pal and infamous killustrator Justin Bartlett, whose style many of you no doubt will recognize. He's done tons of drawings for Oaken Throne black metal magazine, as well as record covers for grim groups like SUNNO))), Moss, Nadja, Pentemple and loads more. His style is incredible, super detailed, pen and ink with tons of stippling, lots of skulls and guts and demons and various crusty oozing offal. For aQ he's designed a super creepy and super evil mother and child, heads in bags, their rotten innards spilling out, skulls on spikes, and "Aquarius Records" carved into the stone archway in the background. It looks amazing, and will for sure get some eyes a popping as you wander through the grocery store or sit in church (heaven forbid).
The back features a small aQ logo up near the collar, the shirts are white on black, they are Hanes heavyweight T's, 100% preshrunk cotton, and we have sizes all the way from Youth Large (for kids and little ladies) all the way up to XXL (for the big guys).
We will only be selling these for a couple months, so don't miss out. Once they are gone, they won't be reprinted. EVER.
Future aQ Artist Edition T's will include designs by Savage Pencil, Stephen O'Malley, Aaron Turner and more more more!!!
Finally! The first in a series of super limited, artist designed aQ T-Shirts, featuring original art by some of our favorite artists, who just so happen to be loyal aQ customers as well! Each one will be super special, totally unique, and will only be available for a limited time, as we're only making a finite amount of each.
The first shirt design is by aQ pal and infamous killustrator Justin Bartlett, whose style many of you no doubt will recognize. He's done tons of drawings for Oaken Throne black metal magazine, as well as record covers for grim groups like SUNNO))), Moss, Nadja, Pentemple and loads more. His style is incredible, super detailed, pen and ink with tons of stippling, lots of skulls and guts and demons and various crusty oozing offal. For aQ he's designed a super creepy and super evil mother and child, heads in bags, their rotten innards spilling out, skulls on spikes, and "Aquarius Records" carved into the stone archway in the background. It looks amazing, and will for sure get some eyes a popping as you wander through the grocery store or sit in church (heaven forbid).
The back features a small aQ logo up near the collar, the shirts are white on black, they are Hanes heavyweight T's, 100% preshrunk cotton, and we have sizes all the way from Youth Large (for kids and little ladies) all the way up to XXL (for the big guys).
We will only be selling these for a couple months, so don't miss out. Once they are gone, they won't be reprinted. EVER.
Future aQ Artist Edition T's will include designs by Savage Pencil, Stephen O'Malley, Aaron Turner and more more more!!!
Finally! The first in a series of super limited, artist designed aQ T-Shirts, featuring original art by some of our favorite artists, who just so happen to be loyal aQ customers as well! Each one will be super special, totally unique, and will only be available for a limited time, as we're only making a finite amount of each.
The first shirt design is by aQ pal and infamous killustrator Justin Bartlett, whose style many of you no doubt will recognize. He's done tons of drawings for Oaken Throne black metal magazine, as well as record covers for grim groups like SUNNO))), Moss, Nadja, Pentemple and loads more. His style is incredible, super detailed, pen and ink with tons of stippling, lots of skulls and guts and demons and various crusty oozing offal. For aQ he's designed a super creepy and super evil mother and child, heads in bags, their rotten innards spilling out, skulls on spikes, and "Aquarius Records" carved into the stone archway in the background. It looks amazing, and will for sure get some eyes a popping as you wander through the grocery store or sit in church (heaven forbid).
The back features a small aQ logo up near the collar, the shirts are white on black, they are Hanes heavyweight T's, 100% preshrunk cotton, and we have sizes all the way from Youth Large (for kids and little ladies) all the way up to XXL (for the big guys).
We will only be selling these for a couple months, so don't miss out. Once they are gone, they won't be reprinted. EVER.
Future aQ Artist Edition T's will include designs by Savage Pencil, Stephen O'Malley, Aaron Turner and more more more!!!
Finally! The first in a series of super limited, artist designed aQ T-Shirts, featuring original art by some of our favorite artists, who just so happen to be loyal aQ customers as well! Each one will be super special, totally unique, and will only be available for a limited time, as we're only making a finite amount of each.
The first shirt design is by aQ pal and infamous killustrator Justin Bartlett, whose style many of you no doubt will recognize. He's done tons of drawings for Oaken Throne black metal magazine, as well as record covers for grim groups like SUNNO))), Moss, Nadja, Pentemple and loads more. His style is incredible, super detailed, pen and ink with tons of stippling, lots of skulls and guts and demons and various crusty oozing offal. For aQ he's designed a super creepy and super evil mother and child, heads in bags, their rotten innards spilling out, skulls on spikes, and "Aquarius Records" carved into the stone archway in the background. It looks amazing, and will for sure get some eyes a popping as you wander through the grocery store or sit in church (heaven forbid).
The back features a small aQ logo up near the collar, the shirts are white on black, they are Hanes heavyweight T's, 100% preshrunk cotton, and we have sizes all the way from Youth Large (for kids and little ladies) all the way up to XXL (for the big guys).
We will only be selling these for a couple months, so don't miss out. Once they are gone, they won't be reprinted. EVER.
Future aQ Artist Edition T's will include designs by Savage Pencil, Stephen O'Malley, Aaron Turner and more more more!!!
Finally! The first in a series of super limited, artist designed aQ T-Shirts, featuring original art by some of our favorite artists, who just so happen to be loyal aQ customers as well! Each one will be super special, totally unique, and will only be available for a limited time, as we're only making a finite amount of each.
The first shirt design is by aQ pal and infamous killustrator Justin Bartlett, whose style many of you no doubt will recognize. He's done tons of drawings for Oaken Throne black metal magazine, as well as record covers for grim groups like SUNNO))), Moss, Nadja, Pentemple and loads more. His style is incredible, super detailed, pen and ink with tons of stippling, lots of skulls and guts and demons and various crusty oozing offal. For aQ he's designed a super creepy and super evil mother and child, heads in bags, their rotten innards spilling out, skulls on spikes, and "Aquarius Records" carved into the stone archway in the background. It looks amazing, and will for sure get some eyes a popping as you wander through the grocery store or sit in church (heaven forbid).
The back features a small aQ logo up near the collar, the shirts are white on black, they are Hanes heavyweight T's, 100% preshrunk cotton, and we have sizes all the way from Youth Large (for kids and little ladies) all the way up to XXL (for the big guys).
We will only be selling these for a couple months, so don't miss out. Once they are gone, they won't be reprinted. EVER.
Future aQ Artist Edition T's will include designs by Savage Pencil, Stephen O'Malley, Aaron Turner and more more more!!! ----* ----* Highlights : ----*
Few records in recent memory have provoked such a breach of unanimity here at Aquarius. Some of us (Andee, Cup, Byram) are the naysayers who feel that the artist's eccentricities ring rather hollow -- i.e, fucking around rather than genuinely fucked up. Meanwhile Jim and Allan lean towards the positive on this one. (Aw heck they'll come right out and admit it: they like the Ariel Pink.) And it hasn't helped (or has it?) that several of our friends have come out as big Ariel Pink supporters. You know how that is. Either you want to jump on the bandwagon (Allan?) or you want to be the contradictory one (Andee?). So if you come into the store and ask somebody here about this record, you'll surely get an impassioned opinion, but who knows on what side it will be.
So what's the deal with Ariel Pink anyway? perhaps you're now wondering. Well he's this young dude from LA and he makes lo-fi fucked up pop music, his heavily effected falsetto vocal stylings drifting out from damaged electronics and naive guitar fumblings. The Animal Collective heard a demo and fell in love with it (you see, Ariel Pink is a love or hate propostion, we think) and had to release this new album on their label Paw Tracks. It kinda sounds like fey '80s Brit-pop, all melodic and swoony, being broadcast via a static-y radio signal, for that far-away, timelost vibe. And then, even more weirdly, there's an element of '70s soul/R&B too! A strange mix...visiting the Fall's dubby adventures...or channelling an adolescent Bowie...and catchy as all get out. Beneath all the orchestral samples and looped beats and layered vocals and generally warped warbliness of this, lies some solid songwriting. Yessir, what might seem at first listen like home-taped half-assedness reveals depth and feeling and...we'll even say talent. Reveals to those of us that like it, that is. So what did it take for Jim and Allan to get into this? Well our Jewelled Antler buddies Loren and Glenn helped to convince us, 'cause they're fans...and also, Allan went and saw Ariel Pink live at the Hemlock a few weeks ago, and though it was a technically disastrous show, it was also one of those completely enjoyable, amusing, so-bad-it's-good experiences. Charismatic chaos. The show seemed to prove that AP is the real deal, not a poser but a genuine, authentically fucked up (drug-addled?) musical wonder. So now the album has grown on Allan quite a bit. And you know what? Even Andee is now admitting that Ariel Pink is at least "stupidly charming."
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
SORRY.
Allan's D&D sensibilities were most pleased with the name and title of this new Jewelled Antler cd-r! Tunnels To Other Chambers is the debut of a new project from the JA camp, featuring the duo of Kerry McLaughlin (Franciscan Hobbies) and the ubiquitous Glenn Donaldson (FH, Thuja, Skygreen Leopards, The Ivytree, Teenage Panzerkorps, etc.). Guesting on a few tracks you'll also find Rob Reger (Thuja) and Christine Boepple (Skygreen Leopards Skyband). These guys do indeed have a knack for titles to match their evocative folk-psych-improv music. No review is really needed if we cite such track names as "Gallery Of Ancient Birds", "Ghosts In The Tunnel", "Moss Banjo" or "Vacation Route For Emperors". I mean, sounds good already, right? And it does for sure sound good if you're attuned to the sort of spacious, abstract sound-delving these folks do so well. It's wonderfully fragile, sleepy, and melodic. Droning harmonium, bowed strings...electronic detritus...plucked acoustic guitar...simple, ritual percussion...tinkling bells...and occasional frail whispery vocals. It's like listening in to some mellow krautrock being played on an Applachian back porch, or to monkish ceremonies from the lost Plateau of Leng, or perhaps a somnolent subterranean hobbit-hole jamboree. In other words, so nice!! Definitely get this is you like Jewelled Anter stuff like The Birdtree and Hala Strana. Also we could reference Espers, Amon Duul, Tower Recordings, Harvester, Algarnas Tradgrad, Siloah...
We've been meaning to list this for a long time. One of those special records that so many past and present aQ employees hold close to their hearts. This is John Cale's orchestral pop masterpiece! Last list we made his collaboration with Terry Riley one of our records of the week and while this is a different beast all together it definitely shows what a wide range of musical genius Cale had going on during the early '70s. Paris 1919 is most certainly a pop record, but not just any kind of pop record. This is one that immediately transports you to the lavish and lush fantastical worlds these songs take place. Backed by a band featuring members of Little Feat as well as the UCLA Symphony Orchestra, Cale was able to create songs that somehow are as delicate and understated as they are glowing and baroque.
It's a record that always makes us want to wander along pastoral hillsides filled with the greenest grass, a cup of delicious hot tea in our hands as we twirl and daydream through the afternoon. Cale's voice has never sounded better, and it's for sure his most emotive and sensitive statement ever put to tape. It's amazing how many newer bands we love that for sure had to be influenced so strongly by this record. Just listen to The Hidden Cameras, Kelly Stoltz, Jens Lekman, Beck or Belle & Sebastian and you can hear the legacy of Paris 1919 in their songs. Total pop perfection!
This new Clientele EP drifts effortlessly into shore on gently shimmering guitars, then lingers for eight soothing minutes on a misty organ drone track aptly named "The Sea Inside A Shell". Sooo pretty. A hushed piano number follows, and then the EP's lone vocal song closes out the proceedings on a more familiar Clientele note. Each of the five soft'n'dreamy songs was inspired by Surrealist Giorgio de Chirico's Ariadne paintings.
Clientele, a London area trio, play dreamy, lo fi, Brit pop that is reminicent of The Zombies, Nick Drake, The Go Betweens, and The Byrds. Suburban Light has an atmospheric '60s quality throughout but the songs vary enough from each other to keep ones interest.
Go ahead slip this new Clientele album right in next to your Big Star and Go-Betweens albums. Strange Geometry fits like a glove, don't it? These Londoners continue merrily along on their gentle retro pop path, and that's a very good thing for them to do. Check out the mistily wistful "My Own Face Inside The Trees". Geez, band leader Alasdair Maclean has such a charming voice and great taste in art to boot... the cover features one of surrealist Paul Delvaux's train paintings from 1963! Darkly beautiful just like the music.
Ok, this is a black metal band, but non-metallers into the improv-drone sounds of the Jewelled Antler collective, Richard Youngs/Simon Wickham-Smith and the like should keep reading!
Not to be confused with the other Forest we've raved about (the psychedelic British folk band from thirty years ago), *this* Forest is a Russian black metal outfit, and a pretty good one belonging to the raw, primitive, corpse-painted end of the genre. The first four tracks on here consist of blasting, frozen Darkthrone worship, keeping alive the cult spirit that so few bands today still possess -- maybe because those tracks were actually recorded in 1996. Malevolent, majestic pagan metal full of Burzumic mayhem. Fans of this vein of true, trancey black metal darkness will be pleased. And if that was all that was on this disc we'd think it was cool. But then comes the fifth and final track, a surprise twenty-minute opus called "Winter Howl" taken from a 1994 rehearsal tape. Suddenly Forest isn't so obviously black metal at all, they've entered a psych-drone realm that's more akin to the aforementioned Jewelled Antler stuff (Thuja, The Birdtree, etc) or Taj Mahal Travellers or Reynols or Amon Duul's krautrock jams, still as forest-y and primitive as the preceding metal songs though. A wavering whispy wordless vocal winds over a bed of lost, primal percussion and haunting washes of mild feedback. Simple melody lines on guitar wander through the increasing haze, with deeper vocals providing additional layers of drone. If you really heard this in a forest you'd be mesmerized and scared, but it's really nice and pretty (in a damaged way) when heard at home...pretty to us anyway, dunno if Kaldrad and Dagorath meant it to be so! The vocals, until they get a little more metal-ly, totally remind us of the bliss-out singing by British folk experimentalist Richard Youngs or Jewelled Antler's pop soul Jason Honea. If Finnish avant-forest-folk folks like Avarus and Kemialliset Ystavat or the Jewelled Antler collective decided to make black metal, this is what's we'd imagine it would sound like! (Actually, there IS an upcoming black metal-inspired release from Jewelled Antler, a 3" cd-r by a group they call Tomes, but Tomes takes an even more subtle approach than "Winter Howl"...look for that here at AQ soon!) Meanwhile, on the black metal side, fans of Mistigo Varggoth Darkestra, Caacrinolas, Potentiam, and other weird ones should dig this track, along with Forest's other more typical black metal sounds. Recommended.
The Franciscan Hobbies are one of the more anarchistic manifestations of the Jewelled Antler 'collective', The Hobbies themselves being a free-form, free-wheeling group of variable membership that turns idyllic nature excursions into documents of magical, improv folk psych. At The World's End comes by way of New Zealand cd-r label PseudoArcana, and this time around The Hobbies include 3 of the 4 members of Thuja, plus a bunch of their friends, including Donovan Quinn (Skygreen Leopards), Greg Bianchini (The Muons), and Cole Palme (Factrix). However, whoever's present on this recording isn't all that important, as they meld into a very relaxed communal music-making clan. Furthermore, discussion of instruments and techniques would seemingly convey less of a sense of what the Hobbies sound like than more poetic allusions to damp moss and dry leaves. Imagine napping in the undergrowth of a forest, dreaming drones and fractured melodies. Theirs is a drifting, indirect music, more hints and haunts than songs per se. And, we ask, how can you not love a record with a track entitled "The Unicorn Murders"??
Ah, the Jewelled Antler collective! The Franciscan Hobbies is yet another facet of the same opiated psych-improv collective that has evolved into a number of projects including Thuja, The Blithe Sons, The Birdtree, The Skygreen Leopards, The Child Readers, The Knit Separates, etc. Usual suspects Glenn Donaldson, Rob Reger, Loren Chasse, and Jason Honea all appear on this -- perhaps the largest and loosest of the Jewelled Antler projects -- alongside relative newcomers to the collective: Greg Bianchini (of SF folksters The Muons), Kerry McLaughlin, Buffy Vice Sick, Dylan Brock, Christine Boepple, and Aquarius' own Dungeon Master Jeremiah Allan Horrocks (singing into an electronic toy while lying on his back somewhere in Golden Gate Park one sunny day, he tells us, but bets you won't be able to pick that out while listening to this). In working with such a large citizenship, The Franciscan Hobbies wisely eschews structure, favoring the psych-improv equivalent of front porch noodling that ends up sounding like a more sedate version of Birchville Cat Motel, the Vibracathedral Orchestra, or the hillbilly minimalism of Henry Flynt. Yet the druggy, murky atmosphere that dominates so much of Thuja's recordings takes a backstage to the quiet sound of semi-strummed, semi-plucked banjos, ouds, guitars, and occasional Tom Waits-esque tossin' junk in the kitchen sink percussion. Beautiful and mysterious, "Caterpillars Of The Oak Beauty" makes for another very nice cd-r release from Jewelled Antler!
Courtesy of new Florida-based label Soft Abuse, "Masks And Meanings" is the first full-length "real" cd from San Francisco's wonderfully dreamy improvisors The Franciscan Hobbies, following the "Caterpillars Of The Oak Beauty" cd-r on their own Jewelled Antler label. Featuring members of Thuja (Loren Chasse, Glenn Donaldson, Rob Reger) and others, including Greg Bianchini from SF folk troubadours The Muons, you can perhaps guess what this sounds like. Somewhere between the psychedelic forest drones of Thuja and the folkiness of Glenn and Loren's Blithe Sons project. Abstract, droney, relaxing. Gently plucked guitar strings, rattling and rustling noises of indeterminate origin, very organic and natural sounding. Field recordings and non-instrument sound making fill sonic spaces alongside what might be mellow kraut/hippy jams on guitars and percussion, if they weren't so damaged and sparse and loosely structured. It's music, like sunlight, filtering down through the leafy branches of the forest canopy, into a grassy nest the Hobbies have burrowed out and furnished with antiques. Afternoon light, and shadowed darkness and dust. Indeed, like most of the J.A. projects, The Hobbies often record out-of-doors, in meadows in Golden Gate Park for instance. They came up with their name, actually, from a piece of wood they randomly found on the site of one of their recording sessions, upon which the words "Franciscan Hobbies" were printed. Their music's mysterious yet oddly whimsical vibe is carried through the collage artwork and song titles ("Wasp Embodiment", "Plough Drawn By Toads"). Very nice. That some tracks end with abrupt edits would be about our only complaint... Definitely for fans of Tower Recordings, Kemialliset Ystavat, the whole Jewelled Antler "collective" and suchlike. You know who you are/what this is.
MPEG Download: "A Preordained Sequence" [/audio/franciscanpreordained.mp3]
MPEG Stream: "A Preordained Sequence" [/audio/franciscanpreordained.m3u]
Jewelled Antler picnic-party The Franciscan Hobbies are certainly the biggest and vaguest, most free-form collective in the "collective". The Hobbies' albums are where Thujans and Muons and Blithe Sons and Skygreen Leopards and Child Readers and Buried Civilizations and all of 'em go to let it hang loose...or looser than usual. Even moreso than the other "bands" found under the umbrella of the San Francisco experimental-improv-folk-psych Jewelled Antler family, The Franciscan Hobbies have a indeterminate, open-ended membership, and make suitably organic, sprawling, abstract music... much of it quite as lovely as anything in the Jewelled Antler canon: dark and dreamy, with noise-textures and fragmented melodies played on acoustic and electric instruments both drifting in and out of these pieces like nature-sounds in the forest, in a manner perhaps akin to their Finnish brethren and sistren (?) Kemialliset Ystavat and Avarus and Uton. This new Hobbies cd, their fourth disc, was recorded over the past three years in various places with various persons participating -- among those persons, members of all the aforementioned groups. And AQ's own Allan even shows up singing on "Goat With The Dolphin Face", recorded in a wooden teepee on a beach up in Point Reyes. (Not that you can tell that it's him...or in a teepee.) And that's also got nothing to do with why we're going to tell you that this is highly recommended, particularily to those of you for whom the more abstract edges of the Jewelled Antler thing appeal. Intimate, hushed and full of quiet clankings and fragile drones...meandering, mesmerizing guitar-plucked lullabies...bowed strings and rustling sticks...indistinct vocalizations...all carefully edited and mixed by Glenn Donaldson (the track "Satan Crystals" by Loren Chasse). So nice.
Tolkien fans, be warned -- this sixties psych pop group from New Jersey was only hastily dubbed "Gandalf" mere weeks before their debut was recorded in 1967. As Mike "Ugly Things" Stax' liner notes say (with perhaps some unnecessary scorn for the inhabitants of Middle Earth): "The group's name is actually a misnomer; although full of magic, the Gandalf record is thankfully free of wizards and hobbits." Previous to their Gandalf incarnation, the band was called the Rahgoos, named, believe it or not, after the Ragu brand of spaghetti sauce! (The liner notes again: "What was needed was a new, more 'with it' name." So they chose Ragu? What?) Whatever the name, though, the band's lone LP, now reissued by Sundazed, is pretty darn great, with gentle, melancholy singing, hypnotic piano and Hammond B3, and plenty of psychedelic tape echo courtesy of a piece of equipment (the Binson Echorec) that the band had acquired soon before the recording sessions and used to great effect, ahem.
Gandalf is especially known (to those in the know, that is, who speak of them in hushed whispers we'd imagine) for their amazing, dark, psychedelic version of the old standard "Golden Earrings" with which they open the disc. Along with that cover, they also interpret several songs by Tim Hardin as well as Eden Ahbez's famed "Nature Boy". But they had a fine songwriter in the band as well, Peter Sando, and his "Can You Travel In The Dark Alone" equals the spooky effect they achieved with "Golden Earrings", while Sando's album-closing "I Watch The Moon" rocks out a bit more with some tasty fuzz guitar -- which you'll also hear in their "Nature Boy", for one!
As long lost, forgotten '60s psych gems go, this is the real deal, not baseless hype based merely on how much some ponytailed psych collector was willing to pay for an original vinyl copy. Sundazed gets our thanks once again!
Well, here we have another band mining the whole 99/Y records arty disco punk legacy (see also: !!!, Rapture, etc). In this Mute re-release of their Gern Blandsten debut (a sign, perhaps, of blow-up potential), Liars certainly aren't trying to hide their influences; hell, they make a whole track out of putting lyrics over ESG's "UFO." Now that would be a criticism- only the Liars are really fucking good at what they do. Vocalist Angus Andrews has the perfect super tough shout/growl to pull of the hefty dose of bad attitude spewed by their abstractly funky tunes, home to the requisite dance beats and heavy bass alongside cold noise and drum machine. The short album of ass-shakers is topped off with a 30-minute looped epic, which is either hypnotic or dreadfully boring, I'm not sure. Anyway, "They Threw Us All In A Trench And Stuck A Monument On Top" will find a cozy place in your record collection next to the Pop Group and Liquid Liquid, as well as a place in magazine articles about new hot shit bands from NYC. And hey, they deserve it.
Anyone into the magical vibe of late '60s/early '70s British psych folk must get this, the absolutely lovely solo debut from multi-instrumentalist and Tower Recordings founding member Pat Gulber. Together with percussionist/producer Tim Barnes, he's taken
One of the saddest records ever made. Prime krautrock (from Austria), circa 1972, what goths would have listened too had there been goths back then. Complete with full-blown psychedelic guitar freakouts, coupled with somber church-like organ and a vocalist
Hew it strew it do it too/Say it slay it just to do/Try to call yourself on the phone/Surely you are not at home/Sweep the swept floor once again/Stab yourself and feel the pain/Then stand and watch the speed/Clean your eyeballs wash your feet/Listen and repeat'. Or from "Stop These Lines": 'Morning peace dusty air/Clean your teeth comb your hair/Dressed in clothes you always wear/Go to work I won't be there/Lunchtime snackbar eating chips/Ketchup's running down your lips/Deadeyed waiters selling bibs/Which you have to fix with clips/Sitting waiting find an end/Meaningless with no comment/Is this life in your own hand/People are like grains of sand/Pick up streets and pull down skylines/Ravish women blast the mines/Burn the whiskies spill the wines/Find beginnings stop these lines'.
A most melancholic, wonderful record, and it's too bad that it's the sort of thing usually relegated to the prog/psych collectors corner (y'know, because of the distribution and press that this sort of reissue gets). More people (people without ponytails and huge record collections) should get to hear this. So, even though it's not a really new reissue at all, we ordered a bunch to turn people on to. It's an odd, but excellent, hidden treasure!
Finally, an inexpensive reissue of this classic Beatles-inspired psych-pop album from 1968, and it even includes four bonus cuts. A long-time AQ-favorite. Covered by Barbara Manning, so you know it must be good.
Always something interesting being dug up by those Alchemy archeologists! This archival release from a Kyoto-based band called Rasen Kaidan ("Spiral Staircase" I believe) is a very moody and lo-fi, contemporaneous Japanese take on the UK post-punk sound of the early early '80s, a la Joy Division, Comsat Angels, and The Fall, maybe. Also of note, this trio included guitarist Jojo Hiroshige, who was soon to form seminal Japanese noise act Hijokaidan (and also went on to found the Alchemy label).
What you'll hear from Rasen Kaidan here are recordings from two live performances, dating from 1979 and 1980. The 1979 tracks are more witchy and gloomy, with plodding bass and female vocals. The first cut from '79 actually makes us think of a sedated Bardo Pond slogging through a droned-out "Iron Man"! We're reminded of some old NZ stuff like Dadamah as well. The 1980 material makes a switch to male vocals, getting more into that post-punk thing, but still with a weird, almost mystical atmosphere. Murky, raw, psychedelic new wave art punk, yeah!!
This early '70s hard rock band's claim to fame may have been that they were proteges of manager / producer Bill Wyman (whom you might know as the bass player from a band called the Rolling Stones). But that's not the reason we were interested in hearing this double-cd Tucky Buzzard set -- it was 'cause of that name of theirs, Tucky Buzzard. Tucky Buzzard! We just like saying it.
Turns out that with a name like Tucky Buzzard you can't go wrong. That is, if you like a mixture of '70s proto-metal a la Led Zeppelin, '60s pop-psych, symphonic prog, and Southern style barroom boogie! Which of course we do, when it's all done with the panache of a Tucky Buzzard.
Time Will Be Your Doctor's two discs contain Tucky Buzzard's first three (of five) albums in their entirety. There's ten tracks from 1971's eponymous debut, nine cuts from their 2nd album Warm Slash (also 1971), and the five tracks (including the lengthy, proggy suite of the title track, performed with the Madrid Philharmonic Orchestra) from 1972's Coming On Again, the rarest of Tucky Buzzard LPs as it was recorded and released only in Spain, where these Brits had been popular since their days in a '60s psych outfit called The End.
They also drew some notice in the USA, where they toured opening for Uriah Heep and Deep Purple. Doubtless their burly boogie grooves and most metallic Led Zeppish material -- full-tilt riffy rockers with high wailing Plant-like vox -- went over best in front of those crowds (such as many of the tracks from Warm Slash, like "Heartbreaker", "Fill You In", "Mistreatin' Woman" and "Burnin'"). But all three albums also have their share of moody melodiousness and sunny '60s pop-psych stylings too. The song that gives this set its name, "Time Will Be Your Doctor", the lead-off track on their first album, is a wonderful slice of poppy, polished, pastoral vocal-harmony-rich grooviness. Another standout track, from Coming On Again, is "You're All Alone", a trembling beauty that could be from a Colin Blunstone (Zombies) solo album.
They went on through the mid-seventies to record another two albums that we haven't yet heard. But, despite the patronage of Rolling Stone Wyman, Tucky Buzzard never became much of a "buzz" band apparently. Nor did they achieve the cult stoner-status of the equally Zep-influenced, legendary Leaf Hound, for instance. But if you like Leaf Hound, or other early '70s "heavy" acts that also have a lighter side, you should check out this nicely done collection! Tucky Buzzard!