The first release from Afrodisiac Records, Booniay is a really fun comp of funk, afrobeat, and highlife from '70s West Africa. There's a lot of James Brown "heuh!" exclamations, a lot of Fela-style horns, a lot of smokin' groovy organs, and ridiculously
A fantastic package here: 3 cds (that's 193 minutes!) of musical/field recordings spanning 25 years, documenting the pre-industrial culture of the indigenous people of Papua New Guinea (y'know, it's an island to the north of Australia) and their
Not sure what it was, but for whatever reason, some of us had never gotten that into Bossa Nova. Sure there were the standards, the popular tunes that everyone heard, but it never struck a chord, or maybe just at the time, and maybe it was precisely because it was the popular tunes, the accessible jams that made it into the ears of someone who at the time, was more of a jazz dabbler. But Soul Jazz has been killing it lately, with THREE different Bossa Nova comps, which have totally swayed the non believers, converted the haters, and even impressed the folks who were already big fans. First there was Bossa Nova And The Rise Of Brazilian Music In The 1960's, which was reviewed on a past list and you can check out elsewhere on the aQ list, then there was Bossa Nova And The Story Of Elenco Records, Brazil (which we haven't reviewed yet, but hopefully will soon!), and now there's Bossa Jazz: The Birth Of Hard Bossa, Samba Jazz And The Evolution Of Brazilian Fusion 1962-73, which might just be the best of the bunch. We've been listening to this like crazy non stop since we first got it in, and it continues to blow us away. It's still bossa nova, but it's darker, and more intense, mostly instrumental, hard to explain exactly what it is, but the sound, the soul, the vibe, it's just totally doing it for us.
Apparently instrumental music, played by the more popular bands of the bossa nova movement, became known as hard bossa or samba jazz, and as the sixties wound down, there was a huge exodus of Brazilian musicians heading to the US, and many Brazilian based musicians who began to collaborate with US groups, and thus was born Brazilian fusion, and this compilation basically follows that shift, and traces its development musically. But it's the sound, the music, the feel, this comp in some ways feels like a Brazilian version of Ethiopiques 4, our favorite volume in that stellar series, but that one is all instrumental, and in many ways that lets the music do the talking, the emotion oozes from the instruments, and the same is true here, there are some vocal performances, which are incredible, but mostly it's these jazz masters let loose, the drums are wild, there are multiple drum solos, the bass, the piano, the bands are just incredible, and the sounds they conjure up are stunning. And even some more well known names, Sergio Mendes, Antonio Carlos Jobim, Airto Moreira, Baden Powell, all offer up darker more progressive fusion-y sounds, and it's just fantastic, much of this collection sounds very cinematic, and like the other Soul Jazz bossa nova comps, not a single track we had ever heard before, but pretty much every single one we LOVE. So much so that this comp has sent us on a serious bossa nova kick that shows no sign of letting up. Which is always the sign of a good comp.
Like all Soul Jazz compilations, there's a big booklet with extensive liner notes with lots of photos, the cd version housed in a cool miniature hardcover book.
Now on vinyl, split into two volumes...
Not sure what it was, but for whatever reason, some of us had never gotten that into Bossa Nova. Sure there were the standards, the popular tunes that everyone heard, but it never struck a chord, or maybe just at the time, and maybe it was precisely because it was the popular tunes, the accessible jams that made it into the ears of someone who at the time, was more of a jazz dabbler. But Soul Jazz has been killing it lately, with THREE different Bossa Nova comps, which have totally swayed the non believers, converted the haters, and even impressed the folks who were already big fans. First there was Bossa Nova And The Rise Of Brazilian Music In The 1960's, which was reviewed on a past list and you can check out elsewhere on the aQ list, then there was Bossa Nova And The Story Of Elenco Records, Brazil (which we haven't reviewed yet, but hopefully will soon!), and now there's Bossa Jazz: The Birth Of Hard Bossa, Samba Jazz And The Evolution Of Brazilian Fusion 1962-73, which might just be the best of the bunch. We've been listening to this like crazy non stop since we first got it in, and it continues to blow us away. It's still bossa nova, but it's darker, and more intense, mostly instrumental, hard to explain exactly what it is, but the sound, the soul, the vibe, it's just totally doing it for us.
Apparently instrumental music, played by the more popular bands of the bossa nova movement, became known as hard bossa or samba jazz, and as the sixties wound down, there was a huge exodus of Brazilian musicians heading to the US, and many Brazilian based musicians who began to collaborate with US groups, and thus was born Brazilian fusion, and this compilation basically follows that shift, and traces its development musically. But it's the sound, the music, the feel, this comp in some ways feels like a Brazilian version of Ethiopiques 4, our favorite volume in that stellar series, but that one is all instrumental, and in many ways that lets the music do the talking, the emotion oozes from the instruments, and the same is true here, there are some vocal performances, which are incredible, but mostly it's these jazz masters let loose, the drums are wild, there are multiple drum solos, the bass, the piano, the bands are just incredible, and the sounds they conjure up are stunning. And even some more well known names, Sergio Mendes, Antonio Carlos Jobim, Airto Moreira, Baden Powell, all offer up darker more progressive fuison-y sounds, and it's just fantastic, much of this collection sounds very cinematic, and like the other Soul Jazz bossa nova comps, not a single track we had ever heard before, but pretty much every single one we LOVE. So much so that this comp has sent us on a serious bossa nova kick that shows no sign of letting up. Which is always the sign of a good comp.
Like all Soul Jazz compilations, there's a big booklet with extensive liner notes with lots of photos, the cd version housed in a cool miniature hardcover book.
Now on vinyl, split into two volumes...
Not sure what it was, but for whatever reason, some of us had never gotten that into Bossa Nova. Sure there were the standards, the popular tunes that everyone heard, but it never struck a chord, or maybe just at the time, and maybe it was precisely because it was the popular tunes, the accessible jams that made it into the ears of someone who at the time, was more of a jazz dabbler. But Soul Jazz has been killing it lately, with THREE different Bossa Nova comps, which have totally swayed the non believers, converted the haters, and even impressed the folks who were already big fans. First there was Bossa Nova And The Rise Of Brazilian Music In The 1960's, which was reviewed on a past list and you can check out elsewhere on the aQ list, then there was Bossa Nova And The Story Of Elenco Records, Brazil (which we haven't reviewed yet, but hopefully will soon!), and now there's Bossa Jazz: The Birth Of Hard Bossa, Samba Jazz And The Evolution Of Brazilian Fusion 1962-73, which might just be the best of the bunch. We've been listening to this like crazy non stop since we first got it in, and it continues to blow us away. It's still bossa nova, but it's darker, and more intense, mostly instrumental, hard to explain exactly what it is, but the sound, the soul, the vibe, it's just totally doing it for us.
Apparently instrumental music, played by the more popular bands of the bossa nova movement, became known as hard bossa or samba jazz, and as the sixties wound down, there was a huge exodus of Brazilian musicians heading to the US, and many Brazilian based musicians who began to collaborate with US groups, and thus was born Brazilian fusion, and this compilation basically follows that shift, and traces its development musically. But it's the sound, the music, the feel, this comp in some ways feels like a Brazilian version of Ethiopiques 4, our favorite volume in that stellar series, but that one is all instrumental, and in many ways that lets the music do the talking, the emotion oozes from the instruments, and the same is true here, there are some vocal performances, which are incredible, but mostly it's these jazz masters let loose, the drums are wild, there are multiple drum solos, the bass, the piano, the bands are just incredible, and the sounds they conjure up are stunning. And even some more well known names, Sergio Mendes, Antonio Carlos Jobim, Airto Moreira, Baden Powell, all offer up darker more progressive fuison-y sounds, and it's just fantastic, much of this collection sounds very cinematic, and like the other Soul Jazz bossa nova comps, not a single track we had ever heard before, but pretty much every single one we LOVE. So much so that this comp has sent us on a serious bossa nova kick that shows no sign of letting up. Which is always the sign of a good comp.
Like all Soul Jazz compilations, there's a big booklet with extensive liner notes with lots of photos, the cd version housed in a cool miniature hardcover book.
Blame it on the Bossa Nova! What Americans experienced of Brazil's biggest cultural export in the sixties (think Astrud Gilberto's "Girl From Ipanema" and Sergio Mendes and Brasil '66) was actually a watered down version of a vital cultural renaissance of luxury and prosperity in a country transforming itself from its agrarian roots to a new industrial power on the world's stage. Soul Jazz has released this terrific new compilation to highlight the origins of this tremendous and far-reaching cultural shift, with many of the genre's original innovators: Antonio Carlos Jobim, Joao Gilberto, Elis Regina, Jorge Ben, Gilberto Gil, Nara Leao, Wanda Sa, Maria Bethannia, Milton Nascimento as well as plenty of others we had never heard before. With its cool vocals, complex but economic melodic structures and sophisticated jazz motifs, Bossa Nova represented a huge shift away from traditional music to a new modern jet-setting sound. What's neat about this compilation is that even though the names may be familiar, many of the tracks are not the typical hits you may have heard before, reflecting the urgent embrace and hopeful optimism of a country stretching into its new identity. Sadly it wouldn't last. By the time, American's were fully seduced by Bossa Nova's warm wave of tropical sophistication in the mid-sixties, Brazil experienced a military takeover and many of the musicians (namely Jobim and Mendes) were forced to flee to the US. They were able to have successful careers (perhaps even more successful than when they were in Brazil) but Bossa Nova in America became something symbolically different, an almost Imperial embrace of laid-back Latin coolness while completely overlooking the political unrest that displaced it. Thankfully another musical and cultural revolution, Tropicalia, was gearing up to take its place. Still, whatever association you might have with Bossa Nova, this compilation is full of surprises and well worth the listen. So freaking good!
And as with all Soul Jazz record, the packaging is deluxe and elaborate, a slipcover housing a jewel case and a massive booklet, with tons of photos, and a super extensive history of Bossa Nova, detailing the musicians, and the politics of the era.
NOW ON VINYL, spread out over two separate double lps...
Blame it on the Bossa Nova! What Americans experienced of Brazil's biggest cultural export in the sixties (think Astrud Gilberto's "Girl From Ipanema" and Sergio Mendes and Brasil '66) was actually a watered down version of a vital cultural renaissance of luxury and prosperity in a country transforming itself from its agrarian roots to a new industrial power on the world's stage. Soul Jazz has released this terrific new compilation to highlight the origins of this tremendous and far-reaching cultural shift, with many of the genre's original innovators: Antonio Carlos Jobim, Joao Gilberto, Elis Regina, Jorge Ben, Gilberto Gil, Nara Leao, Wanda Sa, Maria Bethannia, Milton Nascimento as well as plenty of others we had never heard before. With its cool vocals, complex but economic melodic structures and sophisticated jazz motifs, Bossa Nova represented a huge shift away from traditional music to a new modern jet-setting sound. What's neat about this compilation is that even though the names may be familiar, many of the tracks are not the typical hits you may have heard before, reflecting the urgent embrace and hopeful optimism of a country stretching into its new identity. Sadly it wouldn't last. By the time, American's were fully seduced by Bossa Nova's warm wave of tropical sophistication in the mid-sixties, Brazil experienced a military takeover and many of the musicians (namely Jobim and Mendes) were forced to flee to the US. They were able to have successful careers (perhaps even more successful than when they were in Brazil) but Bossa Nova in America became something symbolically different, an almost Imperial embrace of laid-back Latin coolness while completely overlooking the political unrest that displaced it. Thankfully another musical and cultural revolution, Tropicalia, was gearing up to take its place. Still, whatever association you might have with Bossa Nova, this compilation is full of surprises and well worth the listen. So freaking good!
NOW ON VINYL, spread out over two separate double lps...
Blame it on the Bossa Nova! What Americans experienced of Brazil's biggest cultural export in the sixties (think Astrud Gilberto's "Girl From Ipanema" and Sergio Mendes and Brasil '66) was actually a watered down version of a vital cultural renaissance of luxury and prosperity in a country transforming itself from its agrarian roots to a new industrial power on the world's stage. Soul Jazz has released this terrific new compilation to highlight the origins of this tremendous and far-reaching cultural shift, with many of the genre's original innovators: Antonio Carlos Jobim, Joao Gilberto, Elis Regina, Jorge Ben, Gilberto Gil, Nara Leao, Wanda Sa, Maria Bethannia, Milton Nascimento as well as plenty of others we had never heard before. With its cool vocals, complex but economic melodic structures and sophisticated jazz motifs, Bossa Nova represented a huge shift away from traditional music to a new modern jet-setting sound. What's neat about this compilation is that even though the names may be familiar, many of the tracks are not the typical hits you may have heard before, reflecting the urgent embrace and hopeful optimism of a country stretching into its new identity. Sadly it wouldn't last. By the time, American's were fully seduced by Bossa Nova's warm wave of tropical sophistication in the mid-sixties, Brazil experienced a military takeover and many of the musicians (namely Jobim and Mendes) were forced to flee to the US. They were able to have successful careers (perhaps even more successful than when they were in Brazil) but Bossa Nova in America became something symbolically different, an almost Imperial embrace of laid-back Latin coolness while completely overlooking the political unrest that displaced it. Thankfully another musical and cultural revolution, Tropicalia, was gearing up to take its place. Still, whatever association you might have with Bossa Nova, this compilation is full of surprises and well worth the listen. So freaking good!
For those who remember when there were genuine underground music scenes (or for younger whippersnappers who wanna know what the fuss was all about)... this compilation is a great document of Boston based bands from a brief four year stretch that bridged the seventies with the eighties. Remarkably polished and burstin' out with youthful energy, Boston Underground is nicely varied from earnest jangle pop to sneering garagey rawk to angular no wave. Many of these songs which may seem tame and downright quaint by today's standards were fresh and downright adventurous back then. it's super cool that we're getting a chance to hear these pockets of amazing music that sadly seldom reached the ears of anyone outside of the city limits let alone within them. Check it out!
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
SORRY.
Compiled by Opprobrium's editor Nick Cain, this little gem of a 7" features some of the best often overlooked avant-noise / out-rock stuff from New Zealand, with Omit's lo-fi alien tape-loop dadaism, RST's humid blasts of guitar feedback, Sandoz Lab Technician's angular no-wave slop, and Surface of the Earth's breathtaking teutonic drones.
This is another one of those compilations that barely requires a description for several reasons. The first is the list of bands. Like an aQ customer's sonic wet dream: Tomutonttu (Jan Anderzen of Kemialliset Ystavat and Avarus), the Skaters, Ashtray Navigations, Zodiac Mountain, Wooden Wand And The Vanishing Voice, Brothers Of The Occult Sisterhood, Armpit, Fursaxa & Zaimph, Axolotl, Astral Social Club, Excepter, Uton, Anla Courtis, Wolfskull, United Bible Studies and Kyrgyz (featuring our very own mailorder maven Christine, along with Loren Chasse, Tom Carter and Robert Horton). Phew. And that's just the bands we know, include these new-to-us sonic treasures: Navy Black, Clixcx, Watersports, Pan To Scratch, Taikuri Tali, PW Best, White Dog and Maths Balance Volumes, and we're talking nearly 5 hours of strange sonic explorations. The other reason this might not need a typically expansive AQ description is the fact that this compilation is crazy limited, to only 500 copies. So odds are we're gonna run out mighty quick, and it's unclear whether we'll be able to get more...
So what's it all about? Skulls Of Heaven sent out a call for artists to contribute their most challenging and bizarre recordings, the only stipulation that the track be between 6 and 13 minutes long. These 25 are the best of the contributions, and they are indeed challenging and bizarre, from a group of artists who traffic in the bizarre and challenging anyway.�
The sounds are all over the map as you might imagine, processed vocals all tangled up in stumbling atonal guitar plink and reverbed swirls, mechanical barnyard symphonies, murky psych-drone crawls, muffled muted ragas, thick buzzy drones and drifting clouds of piano tinkle and creaking machine-like ambience, serpentine Eastern melodies draped over slow shifting sonic shimmers, ultra minimal glitchscapes peppered with haunting growls and alien transmissions, epic washes of roaring growling guitar and quavering theremins, thick sepia toned expanses of soft focus flutter and dark moody drift, mysterious vocal experiments, chanting howling, whispering, crooning, buzzing static drenched electronic fuckery, hiccuping childlike rhythms, primitive percussion, creepy landscapes of Goblin-esque organ and outer space FX and it goes on and on and on. A totally tripped out, mind melting sonic travelogue, from the forests of Finland, to dusty basements in abandoned buildings, to strange undersea caves dripping with reverb, to mysterious cities floating in the clouds to the farthest reaches of outer and inner space...
These are REAL cd's. not cd-r's. Each disc in its own slipcase, both the discs and the sleeves featuring original artwork from Shayde Sartin (Flying Canyon, Giant Skyflower Band, Skygreen Leopards, Kelly Stoltz, Wooden Wand), held together by a thick textured paper cardstock obi, all tied up with a leather cord. Super striking. And again, limited to 500 copies...
When we first heard about this Box Of Dub comp on Soul Jazz, we were super so psyched. Regular readers of the AQ list by now have heard us grouse about the paucity of grime and dubstep releases in the US. And a quick look at the lineup here, had us convinced this would be a killer collection of modern dubstep. Which it is. Sort of.
In fact, more than 'dubstep' as we've come to know it, Box Of Dub is exactly what it purports to be. A box of dub. Modern dub, maybe. Future dub, also maybe, but not always dubstep per se. In fact, most of the tracks on Box Of Dub remind us more of stuff like On U Sound and The Bush Chemists and Adrian Sherwood and African Head Charge and the whole legion of modern electronic dub. Which is not a bad thing. Not at all, just wasn't what we were expecting. That said, there are lots of distinctly dubstep moments, sudden bursts of blown out bass lines, super fuzzy distorted synths and the like. "Dread Cowboy", credited to Tayo Meets Acid Rockers Uptown, would be a straight ahead dub jam, complete with melodica melodies, but draped over the whole track is that trademark dubstep oscillating superdistorted bass line. And "Respirator" by Scuba, is a thick, lurching bass heavy dubstepper for sure. Kode9 contributes "Magnetic City", a dark shuffling dubstep jam, but it too is heavy on the melodica and classic dub guitar lines.
But most of the rest of the record, is more killer modern electronic dub than dubstep, blissed out beats, plenty of reverb, that reggae rhythm, lots of melodica, reggae crooning, but with bits of dubstep mixed in here and there. The beats are slightly darker and distorted, the synths and basslines are thicker and more raw, pulsing and throbbing. In some ways, if you didn't know what dubstep was, this might be the ultimate dub compilation, all the best parts of dub, stripped down, skeletal, but with the bass pumped and all sorts of extra synthy buzz and rhythmic skitter.
It may all just be semantics. Whatever you call it, we can't stop listening to it. And it sounds sooooooo good turned way up with the bass on ten, makes the whole shop rattle. Fans of recent AQ faves like Burial, Kode9 (both on here!), Milanese, the Skull Disco comp, the Science Faction: Dubstep comp, will absolutely need this too...
Much like volume one, which we raved about a while back, this latest installment of Soul Jazz's Box Of Dub collection of dubstep and 'future dub' is as much a straight dub record as it is a dubstep record. Maybe even more so. Hence the 'future dub' descriptor in the title. Could well have called it modern dub or something similar. The dub element, while sometimes totally twisted into new shapes, is more often left relatively pure, a slab of classic old school dub, just slightly modernized, maybe with a bit of extra bass, or some haunting effects, but not much else. The power, as always, is in the BASS.
And just like the first volume, this is an absolute killer. All the tracks here, whether they be shuffling classic dub or super creepy skeletal dubstep, are dark and slithery, with huge thick basslines, skittery dubbed out percussion, vocal fragments, warbly loops, hypnotic rhythms, all hovering somewhere between late night bliss out, and bumping slow motion dance floor destruction.
The tracks are all distinctly dub, but in all sorts of shapes and forms, from Ramadanman's swirling dizzy shuffle, with strange little sonic flares and vocal snippets over a looped bassline and some modern electro shimmer, to the straight up soulful dub of Pinch's "Step 2 It" featuring the smooth soul croon of Rudey Lee, but like most of the tracks here, peppered with fucked up FX, thick undulating basslines, and all sorts of random sonic weirdness. The Cult Of The 13th Hour track sounds like a Kode9 outtake, super minimal, lots of record crackle over a looped Eastern Melody and an ominous spoken word vocal line, growling and muttering over a revved up Portishead rhythm track. Cotti's "Tamil Dub" sounds like a dubstep Muslimgauze, with buzzing sitars, and a killer throbbing bassline stutter, creepy animal calls, and slowed down vocal samples. Digital Mystikz contribute two tracks, the first some classic sounding dub, channeling the modern British sound of On-U Sound and the Dub Chemists, the second a more dubstep number, but with clanky kitchen sink percussion and horns, sounding like a slowed down Specials. Pinch offer up more dark and dangerous dubstep with their second track "Chamber", a super spare slab of low end sprawl, the drums a hiccupping stutter, the bass surfacing in big roiling waves, everything murky and mysterious, and ultra minimal. The disc closes out with Skream's "Sublemonal", another nod to the old school, with a super reverbed horn refrain over an ultra stripped down barebones dub workout, the snare reverbed into the ether, the bass smooth and shimmery.
The more we listen to this, the less distinctly 'dubstep' it sounds, and the more it just sounds like some freaky outer space dub record, which is in no way a bad thing, just a bit surprising. Because of the dearth of decent dubstep and grime in the US, we're always hankering for more, so whenever a 'dubstep' record pops up, we're pretty excited and order it right away, but lest we forget, long before this new fangled dubstep, we loved us our dub, BIG TIME. So when someone takes a dub record and adds all sorts of buzzing bass, gets it all space-y and tripped out, low slung and speaker melting, haunting and ominous, pulsing and throbbing, we're pretty much sold.
Since we seem to no longer be able to get a hold of that fantastic '60s french girl group Ultra Chicks series, we're delighted to finally get a bunch of this just-reissued collection of girl group tunes compiled, strangely enough, by controversial industrial culture icon Boyd Rice. No, they're not the highly sought French ye ye girls, but they are very much in the same perky vibe as the abovementioned comps. Rice has selected nine lesser known (or quite unknown) artists to showcase: solo singers Diane Ray, Bernadette Castro, Bernadette Caroll, Susan Rafey, Priscilla Paris, Robbie Winston, and Lori Burton as well as the suitably named groups The Love Exchange and Honey Ltd. The songs range from squeaky clean and girlish like Patty Duke to the more worldly and womanly like Petula Clark and Shirley Bassey. The second tune by Ms Castro sounds like something Le Tigre studied thoroughly. Very cool!
Weird, murky drone and darkly introspective goth-ambient sounds from the Austin indie-electronic underground. Brain Club is a series of mixes compiled by Jesse Jenkins (Silver Pines, Pure X/Ecstasy, Thousand Foot Whale Claw) and Kyle Dixon (Survive, Heathen Earth) of unreleased tracks by Austin-based groups (at least for this inaugural edition), most of whom we've never heard of before, but after checking this out we're really excited to know more about them.
The first side is more ambient with tracks mixing into each other beautifully. After a brief clip of a found spoken word recording by the mysterious "The Artist", Daniel Hipolito's Smokey Emery, the one project here we've reviewed in the past, appears with a short outdoor ambient industrial recording made with multiple tape machines that sound like far away drones recorded in a sewage tunnel which segues into VC Childkraft's soft focus "Magnetik Rose", a ghostly pitch-shifted piece of electronic clusters that sounds like a wind-soaked lullaby. Thousand Foot Whale Claw's shoegaze ambience of "Lost In Those Dunes", brings in a slow-motion crest of gorgeous guitar feedback culminating in the final track of side 1, Heathen Earth's witch-house instrumental of bleak hollow synths, echo-y drums and incidental crashing noises.
Side 2 has three more composed electronic tracks, the first a live track by Bodytronix which sounds like a Dam-Funk instrumental without beats. "Reverie" by Jake Schrock is probably our favorite track and it's also the longest. Sounding like a ballad composed by Roedelius, Vangelis, and OMD, it's pretty melancholic synth composition hits that sweet spot of uncanny eighties nostalgia without trying too hard. The final track by Phantastes called "Flight of Stares" is like last call at the Bat Cave, a murky instrumental goth dance anthem that channels Soft Cell or Alien Sex Fiend filtered through some druggy hazy processing. So good! We can't wait for more volumes if they're as good as this one!
Limited to 300 copies, these won't be around too long, so grab them fast. Comes as a pinkish-grey unlabeled transparent smoke colored vinyl in a hand-printed cardstock half-sleeve wrapped in an oversize ziplock plastic storage bag.
Brainwashed.com is an indispensible website dedicated to all sorts of musical arcana, publishing an insightful number of reviews and hosting the official domains for such diverse artists as Nurse With Wound, V/VM, Matmos, Mirror, Labradford, Trans Am,
Hey, we're not claiming these to be right! Have fun with it yourself, we sure did!
Where this compilation succeeds in its musical content, it royally fails in packaging: three loose cds in a metal tin which requires the booklets to be bent in order to fit, accompanied by a cheap keychain, a cloth patch, and a q-tip (???). All of this is wrapped with an unkempt piece of wire. Arrggg.
This bargain sampler celebrates ten years and over 100 releases on Richard D. James' REPHLEX label. 16 tracks clocking in at 76 minutes by µ-Ziq, Cylob, DMX Crew, The Gentle People, Bochum Welt, Chaos A.D. (Squarepusher), Global Goon, D'arcangelo, The Railway River, Baby Ford (Remix by AFX), Vulva, Vibert Simmonds (yes, Luke Vibert), Bogdan Raczynski, Mike Dred with Peter Green,
This is a rather good collection of 22 tracks taken from the consistently great Fat Cat catalog, plus five previously unreleased ones (including one by SIGUR ROS). Fat Cat has released a lot of navelgazing music, especially at their start, but have since branched out and in doing so are forming their own wideranging aesthetic particular to their own logic (as all good labels should do). It's almost all uniformly slow to midtempo, ranging from bedroom electronic melancholia like that of Transient Waves and Mice Parade; to the abstract deconstructions of Fennesz; to the outer edges of postrock and/or postfolk typified by David Grubbs and Set Fire to Flames; to exuberant post punk of Programme, Giddy Motors, and Party of One; to the noisier experimentalism of Black Dice and Xinlisupreme. But none of the Fat Cat stuff ever gets too 'out there', if you know what I mean, so in that nice way it's a great safe label to trust, especially if you're wanting a listen on the more accessible side of nonetheless experimental genres.
With all of the abovementioned artists, plus Kid606, Matmos, Bjork mit Funkstorung, the Dylan Group, Mum, Grain, Sylvain Chaveau and more.
From the folks who brought us the recent Cuban compilation packaged in cigar box, comes this stellar Brasilian collection which is separated into 4 cds cataloged by style: Folk & Traditional, Carnaval, Bossa Nova, and MPB (Musica Popular Brasileira). Nope, no contributions by Os Mutantes, but there IS a song by Joyce, who we'd like to find out more about. (Laetitia from Stereolab, in the most recent issue of The Wire's musical taste test, mistakes Joyce for the Mutantes and goes on about how great both artists are.)
A fascinating documentary that will interest drummers, DJ's, record geeks, hip-hop nuts and fans of Brazilian music alike. Following the group Keepintime, a super collective of high profile DJ's (Cut Chemist, Madlib, J. Rocc, Babu, DJ Nuts) and veteran L.A. session drummers (Paul Humphrey, James Gadson, Roy Porter and Earl Palmer) who initially got together as part of a photo-shoot and interview but ended up jamming together, evolving to play out highly popular live improvised sets.
Invited to Sao Paolo to play, the group hooks up with some of the most legendary drummers Brazil has produced, including Joao Parahyba who drummed on "Comanche" by Jorge Ben, Ivan "Mamao" Conti of Azymuth and Samba legend, Wilson Das Neves. While the live performances kill, there are also really great tag-along scenes where we get to see the performers in their element of process: the American drummers visiting a local percussion shop; the DJ's record shopping, comparing notes and trying to one up each other on their finds; lots of cool footage of vintage Brazilian records and artists that'll make the headz drool; Madlib creating beats in his hotel room; and even a frustrating "band practice" scene involving the DJ's. Along the way, there are plenty of stony segways where we learn about the religious roots of Samba, the regional origins of classic Brazilian percussive instruments, growing up in the favelas, and the ups and downs of being an in-demand session player in Brazil. It's almost too much, but near impossible to stop watching. Includes a bonus disc of special features, interviews and photos. So Awesome! ----* ----* In Stock, Not Yet Reviewed : ----* If you want to order one of these, just search on thee item you're looking for, then click on the buy button and it will be added to your cart! AFRICAN MUSIC MACHINE "Black Water Gold" (Fuel) cd 10.98 AIR CONDITIONING "Dead Rails" (Load) cd 14.98 AKERCOCKE "Words That Go Unspoken, Deeds That Go Undone" (Earache) cd 15.98 AKIMBO "Navigating The Bronze" (Alternative Tentacles) cd 13.98 ALOG "Amateur" (Rune Grammofon) cd/2lp 16.98/27.00 ANAL CUNT "Defenders Of The Hate" (Menace To Sobriety) cd 14.98 APPELQVIST, HANS "Sifantin Och Morkret" (Hapna) cd 16.98 ARCTIC MONKEYS "Favorite Worst Nightmare" (Domino) cd 14.98 ASTRAL SOCIAL CLUB "Neon Pibroch" (Important) cd 14.98 ASTRAL SOCIAL CLUB "Super Grease" (Important) lp 16.98 BACHI DA PIETRA "Non Io" (Die Schachtel) cd 19.98 BAD PLUS, THE "Prog" (Heads Up) cd 17.98 BAD RELIGION "New Maps Of Hell" (Epitaph) cd 14.98 BOXCUTTER "Brood VIP" (Abucus) 12" 12.98 BRETSCHNEIDER, FRANK "Rhythm" (Raster-Noton) cd 17.98 BROOM DUSTERS "Sound From The Bottom Of The Tokyo Underground" (Siwa) lp 24.00 BUDOS BAND "II" (Daptone) cd 14.98 BURNING BRIDES "Hang Love" (ModArt) cd 14.98 CALIX, MIRA "Eyes Set Against The Sun" (Warp) cd 25.00 CARIBOU "Andorra" (Merge) cd/lp 13.98/16.98 CHARNEL VALLEY "The Igneous Race" (Paragon) cd 14.98 CHEMICAL BROTHERS "We Are The Night" (Astralwerks) cd 13.98 COMMON "Finding Forever" (Geffen) cd 14.98 CUB "Betti-Cola" (Mint) cd 15.98 CUB "Come Out Come Out" (Mint) cd 15.98 DALEK "A Purge of Dissidents" (Ipecac) book+DVD+CD 31.00 DARKEST HOUR "Deliver Us" (Victory) cd 15.98 DEADBEAT "Journeyman's Annual" (Scape) cd 16.98 DEATH AMBIENT "Drunken Forest" (Tzadik) cd 16.98 DEMBELE, DACUDA "s/t" (Yaala Yaala) cd 14.98 DIMENTIANON / RIGOR SARDONICOUS "split" (Largactyl) cd 14.98 DIZA STAR & THE PINK LADIES "Featuring Mani Neumeier" (Fractal) cd 23.00 DOPPLEREFFEKT "Calabi Yau Space" (Rephlex) cd/2lp 16.98/19.98 ELEGI "Sistereis" (Miasmah) cd 17.98 EMBRYO "Steig Aus" (Revisited) cd 17.98 EVERGREEN TERRACE "Wolfbiker" (Metal Blade) cd 14.98 EVOKEN "Embrace The Emptiness" (Elegy / Solitude) cd 14.98 EX-COCAINE "Keep America Mellow" (Killertree) lp 14.98 EXCEPTER "Streams 01" (Fusetron) cd 15.98 EXIAS-J "Live Document 2003-2005" (PSF) dvd 27.00 EXPO '70 "Audio Archive 001 - Music From Inaudible Depths" (Kill Shaman) cd-r 5.98 EXPO '70 "Audio Archive 002" (Kill Shaman) cd-r 5.98 FAUST "So Far" (Universal) cd 17.98 FLIGHT OF THE CONCHORDS "The Distant Future" (Sub Pop) cd ep 3.98 GOATREIGN "s/t" (Wabana) cd 16.98 HELLA "There's No 666 in Outer Space" (Ipecac) cd 16.98 HORSEFLESH "Journey To The East" (Chambara) cd-r 6.98 JABLADAV "3K Hum" (self released) cd-r/cassette 7.98/5.00 JABLADAV "Black As Pitch" (self released) cd-r/cassette 9.98/4.50 JASPER TX "In A Cool Monsoon" (Pumpkin Seeds In The Sand) cd 11.98 JESUS LIZARD, THE "Live" (MVD Visual) dvd 16.98 KAMMERFLIMMER KOLLEKTIEF "Jinx" (Staubgold) cd/lp 15.98/15.98 KANG, EYVIND "Athlantis" (Ipecac) cd 16.98 LAS MALAS AMISTADES "Patio Bonito" (Honest Jons) cd 25.00 LEXIE MOUNTAIN / LICHENS "Split" (Hoss) lp 14.98 LICHENS "Omns" (Kranky) cd + dvd 16.98 LIFE ON EARTH "Look!! There Is Life On Earth!" (Subliminal Sounds) cd 16.98 LIGHT, THE "Turn On... The Light" (UT Records) cd 13.98 LINDSTROM (V/A) "Late Night Tales" (Azuli) cd 25.00 LIZZIE BORDEN "Master Of Disguise" (Metal Blade) cd 14.98 MANES "How The World Came To An End" (Candlelight) cd 12.98 MANIERISME "s/t" (Nekrokult Nihilism) cd 13.98 MANSON, CHARLES "The Summer Of Hate - The '67 Sessions" (Arte Lupo) cd 15.98 MARDUK "Rom 5:12" (Regain) cd 14.98 MARGINAL CONSORT "s/t" (Improvised Music From Japan) 4cd 79.00 MARTIN, AARON "Almond" (Preservation) cd 15.98 MARTIN, AARON & MACHINEFABRIEK "Cello Recycling / Cello Drowning" (Type) 10" 11.98 MASERATI "Inventions For The New Season" (Temporary Residence) cd 14.98 MAYHEM "Ordo Ad Chao" (Seasons Of Mist) cd 14.98 MCGONIGAL, MIKE "33 1/3 Series: Loveless" (Continuum) book 9.95 MEAT PUPPETS "Rise To Your Knees" (Anodyne) cd 14.98 MEIZTER, K. "Dark Matters" (Old Europa Cafe) cd + 3"cd 23.00 MEKURYA, GETATCHEW & THE EX "Moa Anbessa" (Terp) cd 18.98 MENCHE, DANIEL & KEVIN DRUMM "Gauntlet" (Editions Mego) cd 14.98 MIRAH AND SPECTRATONE INTERNATIONAL "Share This Place" (K) cd 14.98 MODERN SHIT "Modern Shit: The Stories Told By Record Covers" (Alga Marghen) book+cd 70.00 MORI, IKUE "Bhima Swarga" (Tzadik) dvd 30.00 MORTUUS "De Contemplanda Morte" (Ajna) cd 13.98 NADJA "Guilted By The Sun" (Elevation) cd 8.98 NARROWS, THE "Benjamin" (Wantage USA) cd 12.98 NATHAMUNI BROTHERS "Madras 1974" (Fire Musem) cd 14.98 NEED MORE SOURCES "Shed" (Moteer) cd 15.98 NEGATIVE PLANE "Et In Saecula Saeculorum" (AJNA) 2lp 27.00 NEMESIS "The Day Of Retribution" (GMR Music) cd 23.00 OS MUNDI "43 Minuten" (Revisited) cd 17.98 PESTE NOIRE "K.P.N. / La Sanie Des Siecles - Panegyrique De La Degenerescence" (De Profundis / Rosenkrantz) cd 13.98 PETIT, CHRISTOPHER "Radio On" (Plexifilm) dvd 22.00 PHAROAHE MONCH "Desire" (Universal / Motown) cd 14.98 PHAZM "Antebellum Death 'N' Roll" (Osmose Productions) cd+dvd 13.98 PHIL MOORE & HIS ORCHESTRA "Polynesian" (EM Records) cd PIAF, EDITH "Chansons De Films 1936 - 1961" (Trema) cd 14.98 PIAZZOLLA, ASTOR "Pulsacion" (Circular Moves) cd 16.98 PIG DESTROYER "Phantom Limb" (Relapse) cd/lp 14.98/16.98 PILIA, STEFANO "The Suncrows Fall and Tree" (Sedimental) cd 14.98 PINEBENDER "Working Nine To Wolf" (Lovitt) cd 12.98 PINK REASON "Cleaning The Mirror" (Siltbreeze) cd 13.98 PJUSK "Start" (12K) cd 14.98 PLACES, THE "Fawns With Fangs: Selections From The Dark Heart Of The Thicket" (High Plains) cd-r 9.98 PRIESTBIRD "In Your Time" (Kemado) cd 13.98 PROFUNDI "The Omega Rising" (Profound Lore) cd 15.98 PULSEFEAR "Perichroresis" (Profound Lore) cd 10.98 QUI "Baby Kisses" (Heart Of A Champion) cd 12.98 RAMESES "Misanthropic Alchemy" (Feto) cd 14.98 ROBBERS ON HIGH STREET "Grand Animals" (New Line) cd 14.98 ROKY ERICKSON "You're Gonna Miss Me" (Palm / Manga) dvd 33.00 RUNEMAGICK / OCEAN CHIEF "The Northern Lights" (Chapter 53) cd 14.98 SAXON "s/t" (EMI) cd 12.98 SAXON "Strong Arm Of The Law" (EMI) cd 12.98 SAXON "Wheels Of Steel" (EMI) cd 12.98 SCHENKER, MICHAEL GROUP "s/t" (EMI) cd 12.98 SCORPIONS "Lonesome Crow" (Brain) cd 17.98 SHAIN'S, LOS "Anthology" (Iempsa) 2cd 21.00 SHEARER, HARRY "Songs Pointed & Pointless" (Courgette) cd 14.98 SHIRE, DAVID "The Hindenberg (OST)" (Intrada) cd 30.00 SHIRE, DAVID "Zodiac (OST)" (Varese Sarabande) cd 16.98 SHITMAT "Grooverider" (Planet Mu) cd 14.98 SIGNAL "Robotron" (Raster-Noton) cd 17.98 SKREAM & CLUEKID "Sandsnake" (Disfigured Dubz) 12" 12.98 SOLSTICE "Halcyon" (Cyclone Empire) cd 16.98 SOLSTICE "Lamentations" (Candlelight) cd 16.98 SONDE "En Concert" (Oral) cd 16.98 SONDE "En Ordes" (Oral) cd 16.98 SOUVENIR'S YOUNG AMERICA "An Ocean Without Water" (Crucial Blast) cd 14.98 SPECTRE, AARON "Say More Fire" (Rag & Bone) 12" 12.98 SPIRITUALAIRES, THE OF HURTSBORO, ALABAMA "Singing Songs Of Praise" (CaseQuarter) cd 14.98 SPOOKY, DJ "System Error. Al-Yamamah Mix" (Horus) cd 17.98 STEVENS, MEIC "Sackcloth and Ashes: The EPs Vol. 2" (Sunbeam) cd 16.98 STINY PLAMENU "Odpadni Galerie" (NAGA) cd 14.98 STORMCROW / SANCTUM "split" (20 Buck Spin) cd 13.98 SUB VERSION "s/t" (Future Dub) 2lp 24.00 SUN RA "Shadows Took Shape" (Transparency) 2cd 15.98 SUN RA "The Creator Of The Universe" (Transparancy) 2cd 16.98 SUPERBAD "OST" (Lakeshore) cd 16.98 TARWATER "Spider Smile" (Morr Music) cd 16.98 TAYLOR, MIKE QUARTET "Pendulum" (Sunbeam) cd 16.98 TERRESTRIAL TONES "Dead Drunk" (Paw Tracks) cd 14.98 THE BEST OF "LONE WOLF AND CUB" "OST" (La-La Land Records) cd 11.98 TINY VIPERS "Hands Across The Void" (Sub Pop) cd 13.98 TODAY IS THE DAY "Willpower" (SuperNova) cd 14.98 TORSO / UNICORN "split" (Divorce) cd 8.98 TORTURIUM "Black Lunatic Chaos" (Aura Mystique) cd 15.98 TOTAL FUCKING DESTRUCTION "Zen And The Art Of Total Fucking Destruction" (Translation Loss) cd 14.98 TRANSMISSION 0 "Memory Of A Dream" (Candlelight) cd 13.98 TULSA DRONE "Songs From A Mean Season" (The Perpetual Motion Machine) cd 10.98 TUSS, THE "Confederation Trough EP" (Rephlex) cd ep 11.98 U-ZIQ "Duntisbourne Abbots Soulmate Devastation Technique" (Planet Mu) cd 14.98 UFO "Force It" (EMI) cd 12.98 UFO "Phenomenon" (EMI) cd 12.98 ULTRALYD "Conditions For A Piece Of Music" (Rune Grammofon) cd 16.98 UNDER SATAN'S SUN "s/t" (self released) cd-r 8.98 UNKLE "War Stories" (Surrender All) cd 13.98 UPSILON ACRUX "Galapagos Momentum" (Cuneiform) cd 16.98 V/A "Molam: Thai Country Groove From Isan Vol. 2" (Sublime Frequencies) cd 16.98 V/A "Phoning It In" (West Main Development) cd 11.98 V/A "Searchin' For Shakes" (Amigo) cd 17.98 V/A "Silver Monk Time: A Tribute To The Monks" (Play Loud) 2cd 21.00 V/A "Some Songs Stuck In My Mind" (Crazy Apple Boutique) cd 21.00 V/A "The Busy Drone" (BVHAAST) cd 17.98 VENETIAN SNARES "Pink + Green" (Sublight) cd 15.98 VEX'D "Degenerate" (Planet Mu) 2cd 14.98 VILE CHERUBS "The Man Who Has No Eats Has No Sweats" (Afterburn) cd 13.98 VILLAINS "Drenched In The Posions" (Aurora Borealis) cd 14.98 VIRUS SYNDICATE "Present: Contagious Vol. 1" (Tyke) cd 17.98 VIRUS SYNDICATE "The Wasted EP" (Tyke / Planet Mu) 12" 12.98 VISITATIONS "s/t" (Time Lag Records) cd 16.98 VXPXC "Porchmass" (Digitalis) cd 11.98 WAGONER, PORTER "The Rubber Room" (Omni Recording Company) cd 21.00 WEEDEATER "God Luck And Good Speed" (Southern Lord) cd 15.98 WHITE STRIPES, THE "Icky Thump" (Warner Bros.) cd 16.98 WIJLEN WIJ "s/t" (Aesthetic Death) cd 15.98 WILDILDLIFE "Peas Feast" (Chicas De Hoy) cd-r 4.98 ZORN, JOHN "From Silence To Sorcery" (Tzadik) cd 16.98 ZWEINSTEIN "Trip / Flip Out / Meditation" (Captain Trip) 3cd 88.00
**MISSISSIPPI RECORDS ALERT** **MISSISSIPPI RECORDS ALERT** **MISSISSIPPI RECORDS ALERT**
Remember that amazing String Of Pearls compilation, which collected a handful of awesome and obscure 78's from all over the world, compiled by Ian Nagoski? Well, that may be out of print, but Nagoski returns with yet another collection, a sequel of sorts, gathering up various dusty gems from all over the world, Portugal, Spain, India, Iran, Macedonia, Switzerland, Greece, and yeah, even America.
Just like the first volume, Brass Pins & Match Heads is overflowing with wonderful and wondrous sounds, almost without exception warm and mysterious, haunting and lovely, from gypsy folk to classical guitar, wild steel string workouts, soaring dramatic operatic vocals, old timey big band jazz, lush choir like harmonies, rickety skeletal strum, sweetly singing strings and more more more, all wreathed in that hazy dusty record crackle...
Our favorite track is definitely "Alpufzug", which is the name for the ritual procession of cattle through the Swiss Alps, the wordless musical interpretation is sung by a club in a town called Thun, the lead vocals by a man with an impossibly clear, high, feminine voice, who also yodels, the track itself slips from dreamy ethereal chorale to wild whooping hoedown, replete with yelps and howls and yodeling of course, as well as the bleating of cattle, voices of villages and the gorgeous soft cacophony of tinkling cowbells. So great!
Packaged in a super swank old school style tip on cover, with 4 pages of extensive liner notes, photos and more...
You put two of the things we love most in the world, Soul Jazz compilations and Brazilian psych/pop from the 70's together, and you've got one very happy bunch of AQ staffers! Brazil 70 is the follow up to the great Tropicalia compilation Soul Jazz put out a couple years back which served as a great document and serious opened some eyes to the amazing musical movement and revolution in sound that went down in Brazil in the late 60's and early '70s. This compilation picks right up where that one left off, giving us a great glimpse into the post-tropicalia world of the '70s Brazilian music scene. There are some Tropicalia pioneers included here like Gilberto Gil, Caetano Veloso, Gal Costa, and Tom Ze. But what's most thrilling about Brazil 70 is all the amazing tracks from folks who haven't been as well documented here in the states. We've been blown away by the songs from Raul Seixas, Nelson Angelo & Joyce, Erasmo Carlos, Secos E Molhados, all of whom were making amazing and colorful sounds during the first half of the '70s in Brazil. Using the blueprints of the eclectic and spirited nature of Tropicalia, these artists tapped into some magical musical force, discovering new and incredible ways to create amazingly colorful psych-pop perfection. We can't stop listening to this...highly recommended!
Brazil's nastiest: Ophiolatry, Nephasth, Mental Horror, and Abhorrence.
Geez! Just when you thought you've heard all the Brazilian Psych and Tropicalia of the sixties and seventies worth listening to, comes this monster compilation of complete unknown jams from the era that very nearly blows away anything you considered to be the best. Distributed by the same folks who brought us the killer Psych Funk 101 compilation (a unanimous store favorite), if you dug that compilation you should definitely check this one out. Culled specifically from the rarest of 7" singles (the era's cheapest and most produced format), many of 'em promo only, there are none of the usual suspects, no Caetano, Os Mutantes or any of Rogerio Duprat's star artists. Instead this is the sound of the deeper radical underground, of groups most of which couldn't ever get record deals. The music is way heavier, the vibe more unhinged and funky with big fuzz and often wild, ecstatic arrangements. Here is the checklist of groups on here: Celio Balona, Loyce E Os Gnomes, The Youngsters, Serguel, Fabio, Tony E Som Colorido, 14 Bis, Banda De 7 Leguas, Ton & Sergio, Ely, Com OS Falcoes Reais, Marisa Rossi, The Pops, Piry, and Max Rybell. The cd comes with a HUGE full color booklet with info on all the singles and pictures and the enhanced cd itself features a documentary, called "What Are Fuzz Bananas?" (good question). Meanwhile, the vinyl version comes with a large full color booklet with info on all the singles and pictures. We got the last copies of the first vinyl pressing that include 3-D glasses, though we're not sure why they were included as none of the record sleeve was printed in 3-D as far as we can tell, though they do make the wildly colorful psychedelic drawing in the gatefold sure look neat!
Way Recommended!
"The Breaks", which is subtitled "Original B-Boy Street Funk and Block Party Classics," is, believe us, one of the best. The breakbeat era was filled with funky, complex beat-heavy black music that emerged as a direct response to the mindless obviousness of suburban white disco. The tracks here all hail from the '70s and most have been sampled by a few choice contemporary artists with the know-how to recognize a good break when they hear one (Dr Dre, Mantronix, Roxanne Shante, Geto Boys, Cypress Hill... even Deee-lite). There's the Jackson 5, Yellow Sunshine, King Errisson, and tons of other obscure geniuses. Also contains Windy's favorite singer Nina Simone with her funkiest song EVER (and a highly sought-after one at that).
UK import.
Published as the catalogue for an exhibition at the respected Max Protectch gallery in NYC, this is an enhanced CD that features a well crafted slide show of Brian Alfred's slick illustrative paintings that offer irony clad observations of corporate culture in paint-by-numbers graphic displays, and a soundtrack (playable on all CD players) collected from a number of electro-glitch artists including Nabukazu Takemura, E*Vax, Pulseprogramming, E*Rock, Ultra Living, Opiate, Lulltone, Loscil, Static, Jeremy Boyle, and Pan American. To the best of our knowledge, all of the music is previously unreleased.
A very special Record Store Day 2012 compilation, released on the new(ish) label 12XU, run by noneother than Mr. Gerard Cosloy (formerly of Homestead and Matador Records, among other notable ventures), and in the spirit of the day, it's a benefit, with all profits going to Austin's Trailer Space Records, a DIY shop that hosts all ages shows in addition to selling records, and this comp, named for the edict given to folks coming to aforementioned Trailer Space instores, is equal parts 12XU label sampler and Trailer Space compilation, featuring bands who've played the shop and/or who have records out on 12XU, in some cases both, in others neither. Regardless, it's a pretty excellent collection, with a few names we know: Cruddy, Chris Brokaw, Air Traffic Controllers, and even more we don't, Naw Dude, Carolee, Nazi Gold, Marriage, James Arthur's Manhunt, Followed By Static, The Flesh Lights and more. The sound ranges from the 68 second blast of dirgey distorto garage punk from Cruddy, the dirgey indie post punk of Nazi Gold, the Dead C meets Crazy Horse psychedelic skree of Cosloy's band Air Traffic Controllers, the echo drenched bellowing vokilled crustpunk garage dirge of Naw Dude, the spaced out FX heavy psych rock of Marriage, the fuzzy druggy dirge pop of Followed By Static, the angular bass heavy new wave post punk swagger of the Flesh Lights and more more more. Definitely had us hankering to hear more from all of these outfits.
Limited Record Store Day release, so these will definitely have a limited shelf life. Housed in full color covers, with photos of Trailer Space, and the titular 'Bring Beer' sign. Also includes a download coupon.
First of all: if you haven't seen Bring It On, go see it now. It is amazing. Funny, clever, stupid. If you liked Clueless, and Heathers, and Can't Hardly Wait, then you will love it. And to be honest, I'm not so sure that anyone would love this soundtrack without having seen the movie. That said, this soundtrack is pretty cool. Some seriously kick ass Timbaland-style R&B from Blaque (the big hit, and the ladies from Blaque also star as the girls on the black cheerleading squad!) and 3LW. Plus some crappy high energy cheerleading style music, that you'll end up liking once you see the movie. As well as a few absolutely cringe-worthy songs that are beyond brutal (including a techno remake of Toni Basil's 'Hey Mickey' which unfortunately is featured heavily in the film). Andee bought one. Like you care.
You know the drill. A covers record. Not entirely respectful, but not entirely tongue in cheek either. I mean, c'mon, who didn't love Guns And Roses? At least for a while there. Well, here you have some heavyweights tackling their favortie G&R tunes. Most are thrashed out and metalcore-d beyond recognition. A few try to do them straight but have trouble pulling it off with their limited vocal range. Highlights are the totally obliterated "My Michelle" by the Dillinger Escape Plan, the pummelled into submission "It's So Easy" by Unearth and the only sort-of-straight-and-actually-pulled-off cover, "Paradise City" by Eighteen Visions, whose vocalist manages a pretty respectable Axl!
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
SORRY.
You know how everyone thinks they can be a DJ now, right? Maybe one of the unlooked-for benefits of this trend is that there are that many more people sifting through dusty ole record bins in dusty ole record stores worldwide, searching for the good breaks to sample and scratch. And perhaps that explains the sudden number of recent, very tasteful, well-done compilations that have graced the shelves here at Aquarius, comps filled with original source material utilized during or created for the breakbeat era's heyday (mid to late '70s). And hey, now that these amazing tracks are collected in one place on cd or vinyl, we can listen to them in the safety of our own living rooms -- instead of having to brave yuppies and cigarette smoke and $6 drinks to hear perfectly good tunes mangled by DJs of mediocre skills.
"Broasted or Fried" is another lovingly executed collection from the UK label Harmless. Wonderful '60s and '70s Latin music largely produced by musicians from New York, Puerto Rico, and Cuba. While mot of these artists produced more purely latin music during their careers, this comp focuses on the influence black music -- jazz, funk, soul-- had on their sounds. With Eddie Palmieri, Tito Puente, Joe Bataan, Kako and his Orchestra, etc. Very extensive, well written liner notes.
One of our favorite Sublime Frequencies releases EVER, long out of print on cd, is finally available again, and on vinyl!!!! Here's what we wrote about this amazing record way back in 2004 when we first reviewed it on New Arrivals List #192:
The first recording in the Sublime Frequencies catalog to not focus on the noise people make, Broken Hearted Dragonflies gives a voice to our insect brethren in Southeast Asia, as recorded by Tucker Martine in Laos, Burma and Thailand in 2000. The disc starts off like any other "traditional" insect recording: lots of cicada-like whining and chirping, but gradually turns to sound unlike all the rest. As one particular insect in the field begins to slowly sweep up in pitch like an oscillator on a synthesizer. A short time later, the clashing buzz of insect varieties begins to grate against their own harmonies and sounds much like either a clever DSP patch or the aliasing sound of a poorly sampled instrument. In other words, it all sounds hardly organic. In fact, in the field recording genre, we'd have to place this one in the same bizarre category as Douglas Quin's Antarctica recordings. The Raster-Noton sounds of nature. We're periodically reminded of our bucolic setting only by the steady hoots and coos of the native birds. You will undoubtedly share our initial skepticism regarding the purity of these field recordings, but it is emphatically stated by the recordist that "these recordings were not processed, the insects actually sound like this!" Absolutely amazing stuff! Features liner notes by none other than Hakim Bey.
After a handful of killer releases (Sunchariot, Svetovid, Surt, Lascowiec, Gnieu, Uruk-Hai) comes this long in the works compilation from local black metal tape label Brotherhood Of Light, which gathers up a handful of rare and unreleased tracks from some of those same groups, as well as a bunch of others in BoL's underground orbit.
Up first is local BM duo (trio?) Lascowiec, who unfurl a gorgeous bit of super lo-fi, pastoral psychedelia, that gradually expands into a buzzing black cloud of washed out buzz wrapped around soaring majestic melancholic melodies, stumbling murky drum lope, and some seriously fierce bellowed vokills. Surt deliver a dreamy bit of piano laced drift, haunting and spectral, more of a sonic fragment, but quite lovely, like some lost Caretaker B side all fuzzy and hazy and dreamlike. The oddly named Vinland Special Services layout some strange industrial soundscape, all sampled voices, weird buzz, creaks and clatter, a sprawl of abstract collaged noise, the sound constantly shifting, and eventually splintering into a woozy bout of primitive turntablism, all warbly melodies and warped voices, before slipping back into more strange blackened industrial ambience. Finally, the A side is closed out by Uruk-Hai, and whose sounds is a mournful, depressive black metal drift, that's almost dreamy, with the guitars soaring majestically, the busy bassline providing a woozy melody, the vocals appropriately harsh, but otherwise, it's very Alcest like, all shoegazey and shimmery.
The B side starts off with Sunchariot, whose recent tape was a big hit around here, and is a new unreleased track from a forthcoming full length a blurry, bleary washed out avalanche of crumbling buzz, buried drums, muted melodies, and anguished vokills, super bizarre production, definitely can't wait to hear the full length. Up next is Cosmic Breath 88 who deliver a sort of abstract blackened industrial blowout, all flanged guitars, processed vox, and blacknoise buzz. Then there's a super raw, lo-fi chunk of primitive black buzz from USBM outfit Lord Foul, brittle guitars, the sound woozy and warped, almost looped sounding, tranced out and hypnotic. Aryan Art unfurl some surprisingly melodic black buzz, everything washed out and almost dreamy, a little bit shoegazey and blissed out, the vocals super anguished and WAY up in the mix, jarring at first, but then it sorta makes sense. The music gets very folky and medieval, even at its most furious it's sort of warbly and darkly dreamy. And finally, Svetovid finish things off, with some fuzzed out drum machine driven black buzz, laced with inhuman croaked vox and some super fuzzy dreamy melodies, again a weird mix of harsh and pretty, but it makes for a pretty compelling listen.
LIMITED TO 200 COPIES!! Each one hand numbered, and housed in full color J-cards.
Pretty cool comp of lesser known beat mashers gathered on this here compilation to protest police violence. Lot of lo-fi, blurred and bombastic beats, from digital hardcore skull snap to more sort of lower impact hip hop flecked beatscapes. You'll probably recognize Nettle and maybe Zipperspy, and there's a DJ/Rupture remix, but other than that, this comp is chock full of possible new discoveries. Check it out.
MPEG Download: NETTLE "End Of Public Space" [/audio/nettleendofpublic.mp3]
Arbouse is a new label out of France offering the obligatory compilation as an introduction to what they're all about. "14 titres inédits, entre post rock, ambient et electronica," is all they have to say about it; but it does include tracks by Twisted Science (mutilated drum & bass), Sink (a really nice Autechre / Third Eye Foundation piece of electronica), Rothko (a very nice piano and
This is a compilation celebrating 5 years for the Brick label. Some of the best underground hip hop around, with most of these tracks never being available on cd before now. Features: MF Doom, Mr. Lif, Lucky Dice, Rebel Alliance, MF Grimm, Insight,
Originally released in 1983 as "Rhythms of the Grasslands: Music of Upper Volta, Volume II", as the companion volume to the release now known as "Savannah Rhythms". The music on this album, even more than most others in the African portion of the Nonesuch Explorer series, is dominated by percussion instruments: calabash, metal objects, hand clapping, and all manner of drums. Which isn't to say that there are no melodic instruments contained here. A jirkil (a one string lute) makes its appearance quite often, as do the occasional thumb pianos and, of course, voice.
Originally released in 1981 as "Rhythms of the Grasslands: Music of Upper Volta", the change to the more poetic "Burkina Faso" (meaning "Land of Upright Men") was bestowed upon the nation by its Marxist leader a year after this album was originally issued. Performed in ritual -- the editor stresses this music as being performed "'with' people, not 'for' them" -- from everyday activities such as harvesting in the fields to special events such as weddings, the music on this disc is as varied as the events it accompanies. The disc begins with a couple of great xylophone (or marimba) ensembles performing during a wedding celebration, but also featured on this disc are tracks including mouth harp and flute, fife and drums, chorus, one-stringed lute and calabash, gourd clarinet and rattles, and more xylophones. One little detail purchasers may note is that there apparently was a bit of a track listing screw up whereby four cuts don't match their corresponding descriptions, but determined buyers can easily figure out which tracks go with which descriptions (and who knows, this problem may be fixed in subsequent pressings.)
Super low priced video document of the current "San Francisco Scene", heavy on the Extreme Elvis (you've been warned). Let me explain. AQ pal Virgil Porter had a cable access show called Burn My Eye, and this here DVD collects the greatest most memorable bits, including: A sweaty swaggering house show from garage rock trio The Coachwhips with random testimonials from some CW fans. An awesome high energy performance from Deerhoof -- watching the drummer, seated on a milk crate and pounding on his ramshackle 2 piece kit is totally mesmerising and pretty impressive. An interview with SF's very own Extreme Elvis, who is kind of like GG Allin trapped in the body of (fat) Elvis, as well as a sort-of Extrem Elvis greatest hits reel -- the candy cane in the ass, the pissing on the flag, the head shaving break up, the cum drinking. Wow. Some raw live footage of The Locust, as well as a backstage interview with them by Extreme Elvis that gets a little out of control. Noiseniks the Lowdown destroy it live at a house party and in a backyard. The Numbers get an interview and some live action. And Total Shutdown are naked in a park, and bursting eardrums at legendary local watering hole Bottom Of The Hill. Secret extras include a Numbers video as well as some live mayhem from local faux-gay-leather-techno boys Zeigenbok Kopf.
Recording the musical practices of other cultures is often extolled as a way of preserving those practices, as they seem to always inevitably become wiped out due to some form of "modernization" within the culture. Most often it seems that it's the multinational media conglomerates, the loud mouth of the United States, that has a bigger and bigger effect on culture everywhere as more and more people have television and radio. But sometimes it's something more directly horrific that has this detrimental effect on a culture and that makes the music that has been archived almost un-nerving to listen to. Such is this recording from Burundi made in 1974. Even at the time of the recording ethnic fighting had already resulted in the death of 200,000 Burundians. The Hutu of the Northwestern part of Burundi, where these tracks were recorded, that had not fled their country, have most likely been killed in the ensuing nearly 30 years of bloodshed. So the seemingly happy music contained on this disc belies the more sinister reality of its existense. No fewer than five of the tracks are tributes to then Tutsi president Michel Micombero, which were to be performed during rural political gatherings. Having said that, I hope that doesn't depress anyone enough not to pick this up. There's a great variety of excellent tracks on this disc ranging from beautful songs accompanied in various forms by ikembe (thumb piano), flute, drums as well as other stringed instruments (like the inanga which sounds like a stringed bass) to heavy drum corps songs. In particular, the song "Take Me Back To Mabayi" in which and old man accompanies himself on inanga and incorporating vocal effects reminds me of the late great Camerounian songwriter, poet, playwrite Francis Bebey. I wonder if Mr. Bebey picked up any tricks from Burundian musicians during his travels?
FINALLY REISSUED, ON VINYL FOR THE FIRST TIME! One of our early faves in the great Sublime Frequencies series, originally released in 2004 on (now out of print) compact disc. What we said back then...
Given the sheer volume of commercially available music that's come out of Mali (to say nothing of its West African neighbors, and the rest of the continent), one would think there would be a lot more field recordings of street musicians and the sundry other less commercially viable artists who don't attract the attention of the mainstream world music market. There certainly were labels such as John Storm Roberts' Original Music (R.I.P.) which had been hard at work on just that task many years ago, but recent years - what with "world beat" becoming a commercially viable genre targeted to the lowest common denominator - there's been less and less new, raw, unadulterated sounds to be had from the region. The first, in what is hopefully not the last, attempt from Sublime Frequencies to ameliorate this oversight comes from Tucker Martine. And what a nice collection of tracks it is. Recorded in the Fall of 1998 with, if we may say so, some incredibly nice field recording equipment, Bush Taxi Mali is like a really nice panoramic snapshot of music and sounds. The tracks range from miscellaneous street sounds, the dulcet tones of the kora (a bridged 21 stringed lute with a large calf-skin covered gourd resonator), fife and drum music, children singing and clapping, gorgeous acoustic guitar, and an absolutely frenetic wedding celebration with distorted bull horn amplification.
This collection documents a unique method of computer synthesis called UPIC that was developed by Greek avant-garde composer Iannis Xenakis in the late '70s. This system did not use the traditional method of having a keyboard hooked up to a computer.
The majority of the composers closely follow Xenakis' approach -- a novel method that was also quicker means for Xenakis to compose electronic music along the lines of his legendary works "Bohor," "pH," and "Persepolis", full of sweeping drones of tense crackling electronic tones. Occasionally, these composers augment their electronic manipulations with traditional instruments with varied success: Jean-Claude Risset's duet for UPIC and saxophone is simply gimmicky, but Julio Estrada's full orchestra with UPIC works is as effective as any Luigi Nono composition.
Compilation of live tracks by Chicago's finest purveyors of what they're still calling "No Wave" or something: The Scissor Girls, Quintron, The Flying Luttenbachers, etc. Originally a very limited edition lp, now made available on cd for those who missed out the first time.
As far as we're concerned, Providence artrock/noise rock label Corleone, never has to do anything ever again, just by merit of releasing Throne Of Blood's genius I Hope You Fail Miserably And Never Accomplish Anything Ever Again record. And before we get into this review, let's once again beseech those guys to reissue that Throne Of Blood. C'MON!!!!!
Okay then, well, it's been 10 years that these guys have been assaulting our ears, so it makes perfect sense that for their tenth anniversary they decide to destroy our eyes as well. And as should be common knowledge by now, Providence Rhode Island is not just a hotbed for music, it's also jam packed with visual artists and filmmakers, so this collection of videos for various Corleone bands is totally eye popping and amazing.
Did you dig the Paper Rad dvd on Load, then you'll probably dig this too. Super varied, from ultra pro shot films to hand made animations, to absolute WTF weirdness. Some highlights: the super eight video ritual for Bonedust, the perfect visual to go along with their hissy drone-y buzz, the gorgeous sepiatone washed out video for The Body, mostly them playing live, but lit weirdly and all washed out like some old filmstrip, the super gross live action / animation mix of Snake Apt's video, featuring lots of applesauce spitting, and blood and guts and gore, the goofy live action video for Lorna Doom's bad ass white boy rap, a live Black Pus show, which is basically just Lightning Bolt's Brian Chippendale rocking out on the kit, the super blown out experimental video for Night Wounds, awesome arty collage intercut with live action for Get Killed, rad weirdo home movies to accompany Uke Of Spaces Corners, an awesome video of Fang Island performing for a class full of little kids who dance wildly, so cute! And on and on and on. And it's also a good way to get acquainted with a bunch of the bands on Corleone, all of whom are pretty bad ass. A killer audio AND video mix tape that will blow out your ear drums and make your eyeballs melt!
Full color artwork, clear dvd case, MASSIVE thanks list, full color booklet with liner notes and video info. ----* ----* In Stock, Not Yet Reviewed : ----* If you want to order one of these, just search for the item, then click on the buy button and it will be added to your cart! 3/3 "s/t" (P-Vine) 2cd 42.00 AFRIRAMPO "Suuto Breakor" (P-Vine) cd 25.00 AHMED, MAHMOUD & EITHER / ORCHESTRA "Tsedenia Gebre-Marqos" (Buda Musique) dvd 14.98 AHOUSEN "s/t" (PSF) cd 22.00 ALCHEMIST "Tripsis" (Relapse) cd 14.98 ALTER EGO "Why Not?!" (Klang Elektronik) cd 16.98 AMBER ASYLUM "Still Point" (Profound Lore) cd 12.98 ANGELBLOOD "Mambo Mange" (Locust) lp 17.98 APACHE "Boys Life" (Douchemaster) 7" 5.50 ARMISEN, FRED PRESENTS: JENS HANNEMANN "Complicated Drumming Technique" (Drag City) dvd 15.98 AVENGED SEVENFOLD "s/t" (Warner) cd 17.98 AXA HOUR OF DARA BLEU "Clones Of Eros" (Fire Museum) cd 13.98 BACH, SEBASTIAN "Angel Down" (Get Off My Bach) cd 13.98 BACHDENKEL "Lemmings" (Ork) cd 17.98 BEHOLD THE ARCTOPUS "Skullgrid" (Metal Blade) cd 12.98 BETTER BEATLES, THE "Mercy Beat" (Hook or Crook) cd 11.98 BORIS / MERZBOW "Rock Dream" (Daymare) 2cd 32.00 BOSMANN, KARL "Eskalation" (You Don't Have To Call It Music) lp 38.00 BROTZMANN, PETER / MANGELSDORFF / SOMMER "Pica Pica" (Atavistic) cd 14.98 BROTZMANN, PETER / PAAL NILSSEN-LOVE / MATS GUSTAFSSON "The Fat Is Gone" (Smalltown Superjazz) cd 16.98 BRYARS, GAVIN "The Marvellous Aphorisms Of Gavin Bryars: The Early Years" (Mode) cd 16.98 CARBONARA, ERIC "Exodus Bulldornadius" (Locust) cd 15.98 CENTURIONS GHOST "The Great Work" (I Hate) cd 16.98 COFFINS / THE ARM AND SWORD OF A BASTARD GOD "split" (20 Buck Spin) cd 13.98 COHEED AND CAMBRIA "No World For Tomorrow" (Sony BMG) cd 11.98 COLLINS, BOOTSY "Ultra Wave" (Collector's Choice) cd 13.98 CONTROL "OST" (Warner / Rhino) cd 16.98 COPE, JULIAN "You Gotta Problem" (Head Heritage) 2cd 27.00 DAUNER, WOLFGANG (QUARTET) "The Oimels" (Long Hair) cd 24.00 DEAD RAVEN CHOIR "My Firstborn Will Surely Be Blind" (Aurora Borealis) cd/lp 14.98/17.98 DEATH AMBIENT "Drunken Forest" (Tzadik) cd 16.98 DOO SOO, KIM "Ten Days Butterfly" (PSF) cd 22.00 DOWN "III: Over The Under" (Down Records) cd 17.98 EQUIMANTHORN "Exalted Are The 7 Throne Bearers of Ninnkigal" (From Beyond) cd 14.98 ERGO SUM "Mexico" (Lion Productions) cd 15.98 ESKIBOY "The Best Of Tunnel Vision" (Baked Goods) 2cd 22.00 FIFTY FOOT HOSE "Cauldron" (Phoenix Records) lp 24.00 FLOWER TRAVELLIN BAND "Satori" (Phoenix Records) lp 24.00 FUTURIANS "Play The Breathtaking Sounds Of Tivol" (Soft Abuse) lathe cut 7" 14.98 GATES OF SLUMBER / SPIRITUS MORTIS "From The Ultima Thule" (Emissary) cd 14.98 GLUTTONY "Collapse Of The Roman Republic (Liber Primus)" (Cyclops) cd 15.98 GRUDZIEN, PETER "The Unicorn" (Subliminal Sounds) 2lp 39.00 GRUPPO D'IMPROVVISAZIONE "Nuova Consonanza" (Cherry Red) cd 17.98 GUSTAFSSON, MATS / PAAL NILSSEN-LOVE "Splatter" (Smalltown Superjazz) cd 14.98 HABIBIYYA "If Man But Knew" (Sunbeam) cd 16.98 HALF MAKESHIFT "L'Anse Amort" (20 Buck Spin) cd 13.98 HAROLD & MAUDE (CAT STEVENS) "OST" (Vinyl Films) lp+7"+booklet 42.00 HIORTHOY, KIM "My Last Day" (Smalltown Supersound) cd 16.98 HUGUENOTS, THE "s/t" (Hydra Head) cd 14.98 HUMAN BEAST "Volume One" (Sunbeam) cd 16.98 IELASI, GIUSEPPE "August" (12K) cd 14.98 IRISH COFFEE "s/t" (Set) cd 25.00 JACKIE-O MOTHERFUCKER "Valley Of Fire" (Textile) cd 15.98 JUNO "OST" (Rhino) cd 14.98 KLIMEK "Dedications" (Anticipata) cd 15.98 LICHENS "Omns" (Kranky) cd + dvd 16.98 MANINKARI "Le Diable Avec Ses Chevaux" (Conspiracy) 2cd 22.00 MARGINAL CONSORT "s/t" (Improvised Music From Japan) 4cd 79.00 MARTIN, AARON "Almond" (Preservation) cd 15.98 MASHAYEKHI, ALIREZA & ATA EBTEKAR (SOTE) "Persian Electronic Music: Yesterday And Today (1966-2006)" (Sub Rosa) cd 16.98 MAYER, NATHANIEL "I Want Love And Affection Not The House Of Correction" (Vampi Soul) cd/lp 17.98/29.00 METZGER, PAUL "Deliverance" (Locust) cd 14.98 MITSURU, TABATA "Lumrapideco" (Utech) cd 16.98 MONSTER MAGNET "4-Way Diablo" (SPV) cd 16.98 NAGOSKI, IAN "Kerflooey" (Ehse Records) lp 16.98 NERVE NET NOISE "Dark Garden" (Intransitive) cd 14.98 NILSEN BJ & Z'EV "22'22" (Ideal) cd 14.98 NOSTRADAMOS "s/t" (World Psychedelia) cd 17.98 OAXACAN "s/t" (self-released) cd-r ep 8.98 OCEAN, THE "Precambrian" (Metal Blade) cd 14.98 ONNA "Katawa" (PSF) cd 22.00 OPETH "The Roundhouse Tapes" (Peaceville) 2cd 16.98 PEEESSEYE, THE "Mayhem In The Mansion, Shivers In The Sack" (Evolving Ear) cd 11.98 PINCH "Underwater Dancehall" (Tectonic) 2cd 22.00 PINHAS, RICHARD "East / West" (Cuneiform) cd 15.98 POCAHAUNTED / ROBEDOOR "Hunted Gathered" (Digitalis) 2cd 22.00 PRIMORDIAL "To The Nameless Dead" (Metal Blade) cd 13.98 R/S ONE "Snow Mud Rain" (Erstwhile) cd 14.98 RE/SEARCH "#4/5 : W.S. Burroughs, B. Gison, Throbbing Gristle" (Re/Search Publications) book 39.00 REICHEL, ACHIM "AR3" (Germanophon) cd 17.98 RELIGIOUS KNIVES "It's After Dark" (Troubleman) cd 13.98 RIGGS, DAX "We Sing Of Only Blood Or Love" (Fat Possum) cd 14.98 ROBEDOOR "Rancor Keeper" (Release the Bats) cd 15.98 ROOT "Daemon Viam Invenient" (Shindy) cd 15.98 ROSENHOLM, ELEANOORA "Vainajan Muotokuva" (Fonal) cd 17.98 ROSETTA "Cleansing Undertones Of Wake/Lift" (Translation Loss) cd 9.98 ROSETTA "Wake / Lift" (Translation Loss) cd 13.98 ROTH, DAVID LEE "Sonrisa Salvaje" (Friday Music) cd 15.98 ROTHER, MICHAEL "Flammende Herzen" (Water) cd 16.98 RUDD, ROSWELL "Blown Bone" (Emanem) cd 19.98 RUINZHATOVA "Original Soundtrack For Dream, Sea, Vacancy, Metropolis" (Kaeru Cafe) cd 14.98 RWAKE "Voices Of Omens" (Relapse) cd 12.98 SCHOOL OF SEVEN BELLS "Face" (Radium) lp 13.88 SCIENTISTS "Sedition" (ATP) cd 15.98 SCORCHER "Thunder Power" (T.H.E. M.O.V.E.M.E.N.T.) cd 15.98 SEAWORTHY "Map In Hand" (12K) cd 14.98 SIEBENSUNDEN "Teratologen" (I Hate Records) cd 15.98 SIGRBLOT "Blodsband (Blood Religion Manifest)" (Nordiska Forlaget) cd/2lp 15.98/22.00 SIGUROSSON, VALGEIR "Ekvilibrium" (Bedroom Community) cd 15.98 SILMARIL "The Voyage Of Icarus" (Locust) cd 14.98 SIMONETTI, ENRICO & GOBLIN "Gamma" (Cherry Red) cd 17.98 SINCLAIR, JOHN "Guitar Army: Rock & Revolution With MC5 And The White Panther Party" (Process) book+cd 22.95 SKEPTA "Greatest Hits" (Boy Better Know) cd 21.00 SKULL DEFEKTS, THE "Open The Gates Of Mimer" (AA / Nosordo) cd 14.98 SKULL DEFEKTS, THE "The Sound Of Defekt Skulls" (Utech) cd 14.98 SOL "Let There Be A Massacre" (Van) cd 13.98 SOLITUDE AETERNUS "Alone" (Soul Food) cd 17.98 SOLITUDE AETURNUS "Hour Of Despair" (Metal Mind Productions) dvd 24.00 SORIAH "Ofrendas De Luz A Los Muertos" (Beta-lactam Ring) cd 17.98 SPEKTR "Mescalyne" (Moribund) cd 12.98 STRIBORG "Trepidation" (Displeased) cd 14.98 SUISHOU NO FUNE "The Shining Star - Live" (Important) cd 14.98 SUN RA "Disco 3000" (Artyard) 2cd 33.00 TAKAYANAGI, MASAYUKI NEW DIRECTION UNIT "April Is The Cruellest Month" (Jinya) cd 24.00 TERJE, JESPER & JOACHIM "s/t" (Shadoks Music) cd 15.98 THROBS, THE "s/t (Special Collector's Edition)" (Rock Candy) cd 17.98 TIME FLYS, THE "In Crowd" (Douchemaster) 7" 5.50 TORSKE, BJORN "Feil Knapp" (Smalltown Supersound) cd/lp 16.98/21.00 TULUS "Biography Obscene" (Candlelight) cd 14.98 TURBONEGRO "Retox" (Cooking Vinyl) cd 14.98 ULVER "Shadows Of The Sun" (Jester) cd 12.98 UPSILON ACRUX "Galapagos Momentum" (Cuneiform) cd 16.98 V/A "10 Tons Heavy" (Planet Mu) 2cd 13.98 V/A "200" (Planet Mu) 2cd/2lp 9.98/17.98 V/A "A Number Of Small Things" (Morr Music) 2cd 21.00 V/A "Achtung! German Grooves" (Bureau) cd V/A "Asian Flashback: Underground Music From Asia" (PSF) cd 22.00 V/A "Beyond Amsterdam: Baltimore Tracks From The Wire" (Nonesuch) cd 13.98 V/A "Cut It Up Def: Miami Bass Jams" (Cut It Up Def) cd 14.98 V/A "Dr. Boogie Presents: Rarities From The Bob Hite Vaults" (Sub Rosa) cd 15.98 V/A "From Dubplate To Download" (Greensleeves) 2cd 19.98 V/A "Greasy Truckers Party" (EMI) 3cd 38.00 V/A "Lifting The Veil: The Earliest Blues Guitarists" (World Arbiter) cd 17.98 V/A "Melodii Tuvi: Throat Songs And Folk Tunes From Tuva" (Dust To Digital) cd 15.98 V/A "Messthetics #105: D.I.Y. 77-81 Scotland I" (Hyped To Death) cd 13.98 V/A "Papagayo! The Spanish Sunshine Pop & Popsike Collection" (Toytown) cd 21.00 V/A "Pillows & Prayers" (Cherry Red) 3cd+dvd 42.00 V/A "Runeology 3" (Rune Grammofon) cd 9.98 V/A "Smashits" (Shitkatapult) cd 16.98 V/A "Sock It To 'Em J.B." (Body & Soul) cd 15.98 V/A "Space And Time" (Hotflush) cd 21.00 V/A "The Essence Of Swedish Progressive Music, 1967-1979" (Premium Publishing) 4cd 60.00 V/A "The Rubble Collection Vol. 1-10" (Fallout) 10 cd box 96.00 V/A "The Wire: "...And All The Pieces Matter."" (Nonesuch) cd 24.00 V/A "Trojan Country Reggae Box Set" (Trojan) 3cd 19.98 V/A "Waking Up Scheherazade" (Grey Past) lp 28.00 V/A "War II (The Turd Hunt Continues)" (Hip Hop Slam) cd 11.98 V/A "Welsh Rare Beat 2" (Finders Keepers) cd 23.00 V/A (ESHETE, ALEMAYEHU) "Ethiopiques Vol. 22 : More Vintage!" (Buda Musique) cd 15.98 VILE CHERUBS "The Man Who Has No Eats Has No Sweats" (Afterburn) cd 13.98 VILLAINS "Drenched In The Posions" (Aurora Borealis) cd 14.98 WALTER, WEASEL QUARTET "Revolt Music" (ugExplode) cd 11.98 WANDERING MIDGET, THE "I Am The Gate" (Eyes Like Snow) cd 15.98 WARMER MILKS "Let Your Friends In" (Release the Bats) cd 13.98 WILLIS, NICOLE AND THE SOUL INVESTIGATORS "Keep Reachin' Up: Remixed" (Above The Clouds) cd 17.98 WYATT, ROBERT "Comicopera" (Domino) cd 15.98 YEASAYER "All Hour Cymbals" (Are We Free) cd 14.98 YEH, C. SPENCER "Violin, Objects" (Tone Filth) lp 17.98 YOKOTA, SUSUMU "Skintone Collection" (Skintone) cd 14.98 YOUNG, NEIL "Chrome Dreams II" (Reprise) cd 17.98 YOUNGS, RICHARD "Summer Wanderer" (Gipsy Sphinx) lp 17.98 _______________________________________________________________________ ABOUT MAILORDER