Aquarius Records closed in 2016. This site is an archive — a place to rediscover their extraordinary music recommendations. Nothing here is for sale.
Showing results 1 through 50 of 98.
+ / -s/t(Teen Beat)cd$ 14.98
Very nice! The lovely, minimal vellum packaging offers very little in the way of liner notes and gives nary a hint of the sounds contained inside, but one thing we do know for sure is that this is the debut from +/- aka James Balayut and Patrick Ramos. And if
1/3 OCTAVE BANDFading Light From Distant Suns(Celebrate Psi Phenomena)cd-r$ 10.98
1/3 Octave Band's sound is a slowly unfolding haze of purposeful minor key guitar strum that dissolves into rumbling guitar shimmer and warm chordal washes of hum and fuzz and occasional electronic buzz. Buried in the gossamer layers of sound are
ACID MOTHERS TEMPLE & THE MELTING PARAISO U.F.O.Absolutely Freak Out (Zap Your Mind!!)(Static Caravan / Resonant)2cd$ 17.98
The out of print, year 2000 vinyl-only double LP release from everyone's favorite Japanese communal hippy band finally makes it to compact disc! Two compact discs, actually, which makes room for 44 minutes of bonus track action!! Kawabata Makoto, Cotton Casino,
ACID MOTHERS TEMPLE & THE MELTING PARAISO U.F.O.Pataphysical Freak Out MU!!(Eclipse)2lp$ 23.00
This essential document of Acid Mothers Temple's early years is finally released on vinyl. Nice and thick and in a gorgeous gatefold with a bonus track, the side long 'Blue Velvet Blues Coda'. This record starts with AMT at their most rocking, dreamy
ANAAL NATHRAKHThe Codex Necro(Mordgrimm)cd$ 16.98
Thank god (or Satan) that this record is as good as it is, because of all the trouble we had to go through to get it! We became aware of British black metal act Anaal Nathrakh from first seeing ads for this album in Terrorizer magazine (the UK's metal version of The Wire), then Terrorizer named it record of the month, and then one of the top 40 records of 2001! Yet no metal distributors in the United States had ever even heard of Anaal Nathrakh. Not even the band themselves could help us out, and the one distributor that did offer the album only had TEN COPIES. Our tiny little store wanted at least twice that many. But, many frustrating conversations and unproductive emails later, we finally have The Codex Necro in stock and are happy to report that it is as heavy, as weird and as completely cool as we had hoped. The formula is still blasting black metal mayhem, but A.N. up the intensity a notch as well as mixing in all sorts of fucked weirdness: bizarre ambient electronic soundscapes, creepy cloying melodies buried in the mix, strangely hypnotic vocal chants, light speed fuzzed out blast beats, found sound interludes, and totally processed and INSANE vocals, from growling guttural bowel-shaking grunts to maniacal high pitched, electronically fucked-with shrieks. Plus the riffs are ultra catchy, and the guitars are so distorted and recorded so hot, it feels like demonic claws are being scraped across your ear drums. Take the raw, "necro" sounds of Nordic black metal pioneers Darkthrone and give them the bombastic force of the best-produced, over-the-top Cradle of Filth stuff, and you're thinking Anaal Nathrakh. When they say necro, they mean it. And they say it a lot. Like in the liner notes: "Anaal Nathrak plays Fucking Necro Exclusively!...Fuck Everything".
ANDREW W.K.I Get Wet(Mercury)cd$ 28.00
Ah, Andrew W.K... Hard rockin' heartthrob. Vice Magazine mascot. Crushworthy object of Windy's adoration and Andee's guilty 'rock' pleasure. Bloody-faced and beeyootiful. Though we don't have a date on the domestic issue of this, his debut full length, we've got a precious few copies of the import version. Andrew plays pretty insanely catchy cock rock: super anthemic, major key, kickass and dumb (in a good way). He lies somewhere between the Ramones, Rocket from the Crypt, and Van Halen. And yeah, all the sounds are variations on a theme -- he basically writes the same song over and over with the same three chords, but what a song! This will have you air guitaring all over the place and bouncing in your seat.
ASANO, KOJISpherical Moss Factory(Solstice)cd$ 14.98
With album number 26 in his rapidly expanding discography, Japanese experimental composer Koji Asano switches from packaging his cds in jewel cases to putting them in slim cardboard sleeves. He tells us that the reason for this change is in part because of a This 72-minute "Spherical Moss Factory" disc continues Koji's interest in high-end (shrill) sonic explorations, being a piece in two parts written for violin and contrabass, performed by the Koji Asano String Ensemble, which consists of Tomomi Tokunaga and Kentaro Suzuki on those instruments respectively. But the first few minutes of track one don't betray the stringed instrument sound source, as the near-inaudible scrape of Tomomi's violin starts things off in what sounds like an emulation of the sine-wave electronics of Sachiko M. But soon the listener realizes that this is no computer processed piece, but an avant-classical composition featuring real human musicians on acoustic instruments. Track two displays quite a bit more energy from the get go, as Tomomi saws away on her violin with abandon, before relaxing and entering into a duet with Kentaro's deep contrabass bowing. All throughout both tracks, the violin and contrabass together trade mournful moans in a melodic (if melancholy) mode, punctuated by frenzied scrabblings. We may not be season ticket holders to the symphony or 20th/21st century classical experts, but we know what we like, and we do like this.
AZURE RAYNovember(Saddle Creek)cd ep$ 11.98
In general I can't really handle female vocalists of the overly-breathy school of emotiveness. You know, the kind of voice that's become such a mainstream-adult-radio staple -- the Jewel / Fiona Apple axis. Their whispered voices are breaking oh so emotionally This very pleasant, quiet half-hour EP from the Georgia-based duo has become a favorite of Cup and Windy. The title track "November" is so astonishingly pretty that I was struck the same way as when I first heard Mazzy Star -- by how instantly accessible and melodic it is. In fact its chorus positively reminds us of ABBA's "The Winner Takes It All". The delicately plucked acoustic guitars are embellished with piano, steel drums, and nice, subtle stereo separation effects. Features a Townes Van Zandt cover. Together with their producer Andy Lemasters (of Now It's Overhead, another AQ-fave), Azure Ray have also toured as Bright Eyes' band.
BIRCHVILLE CAT MOTELBlankangelspace(Celebrate Psi Phenomena)cd-r$ 10.98
Two extended tracks from label overlord and sole member of the very prolific Birchville Cat Motel. The first track is 20 minutes of growling modulated wheeze, thick and low and rumbling, with subtly shifting melodies suspended jsut below the surface. Over the
BIRCHVILLE CAT MOTELCreeping Frost Onset(Celebrate Psi Phenomena)cd-r$ 10.98
Another slab of prime drone from CPP main man Campbell Kneale, this time enlisting the help of two Kneale family members and utilising oscillators, turntables, clarinet, violin, motorized acoustic guitar, bowed roof (!) and various toy instruments.
BIRCHVILLE CAT MOTELCrop Circle Empires(Celebrate Psi Phenomena)cd-r$ 10.98
Birchville mainman (only man) and CPP head honcho releases another gem. One 40 minute, delicate and crystalline drone. Quiet and slowly shifiting, like the sound of ice melting or a black hole forming or both. So gorgeous.
BIRCHVILLE CAT MOTELLong Vanished Spirals(Celebrate Psi Phenomena)cd-r$ 10.98
This is a compilation of the a-sides of most of Birchville's super limited lathe cut singles. From roaring blasts of distorted guitar, buzzing and squealing to gentle bowed Middle Eastern melodies to shimmering blissed out dronescapes to crackling clatter
BIRCHVILLE CAT MOTELSeptember(Celebrate Psi Phenomena)cd-r$ 10.98
This is a super limited tour-only release for Birchville's recent Japanese tour. One hour long track. There's something about a piece of improvised music, when everything just clicks and the result is transcendent, spectacular, and becomes almost a living
BIRCHVILLE CAT MOTELShapeshifter(Celebrate Psi Phenomena)cd-r$ 10.98
This is an expanded line-up (expanded from the usual one man Birchville Cat Motel) performing all acoustic recorded between 1999-2000. Sparse and clattery, with lots of random percussion, woodwinds and bowed metal drones. A clinking clanking, rattling
BLUE OYSTER CULTAgents Of Fortune(Columbia / Legacy)cd$ 12.98
The umlauted Oyster boys' fourth album, from '76, remastered n' reissued with bonus tracks etc. By this point, the Cult was getting pretty big. "Agents Of Fortune" features what must be their biggest hit, "(Don't Fear) The Reaper". Worth it for that, and
BLUE OYSTER CULTSecret Treaties(Columbia / Legacy)cd$ 12.98
Remastered and reissued: the third of BOC's debut trio of masterpieces, from '74. Features 5 bonus tracks -- 3 previously unreleased songs from the "Secret Treaties" sessions ("Boorman The Chauffer", "Mommy", and "Mes Dames Serat") as well as their Along with full lyrics and photos (each band member posing with guitar in front of a triple stack of Marshall amps), this has liner notes by Lenny Kaye (as do the reissues of s/t and "Tyranny and Mutation" as well).
BLUE OYSTER CULTTyranny And Mutation(Columbia / Legacy)cd$ 12.98
The Red & The Black! BOC's 2nd album, from 1973, now remastered and all that. Includes 4 bonus tracks: three live tracks from bootlegs, and a studio outtake version of live fave "Buck's Boogie". "The Black Side" (LP side one) rocks hard with aggro classics
BLUE OYSTER CULTs/t(Columbia / Legacy)cd$ 12.98
BOC (that's Blue Oyster Cult, not Boards of Canada!) has always been mistakenly regarded as some sort of heavy metal band -- and while they originated and/or embraced much of the imagery associated with HM (umlauts, leather pants, long hair, occult symbols) Contains the hard rockin' hits "Transmaniacon MC", "Cities On Flame With Rock And Roll" along with several other somewhat more obscure but equally brilliant tunes full of the surreal, psychedelic lyrics and guitar work of which these guys were geniuses. And this reissue also includes four bonus tracks, taken from the band's rejected 1969 demos under the name Soft White Underbelly. These are released here for the first time (well, outside of the recent mail-order only Rhino Handmade release of the Stalk-Forrest Group's entire unreleased album demos, which contains 3 of these cuts). A few of the SWU/SFG tracks were later reworked into BOC tunes, like the bizarre "I'm On The Lamb But I Ain't No Sheep" found on this album. Recommended!
BUTTIGIEG, KURTZoetrope(Celebrate Psi Phenomena)cd-r$ 10.98
We're willing to bet that Kurt Buttkrieg is the only musician you can think of that calls Malta home. This is gorgeous otherworldly musiqe concrete. Far away drones, swoops of modulated electronics, keening feedback and speaker rattling low end
CAPTAIN BEEFHEART AND THE MAGIC BANDDust Sucker(Milksafe / Ozit Morpheus)cd$ 15.98
Talk of a legitimate release of the tracks on this disc has been going around for so long I all but gave up hoping it would ever be released. And then, suddenly, it's here. The bulk of the tracks on "Dust Sucker" are recordings that were intended to be
CATHETERSStatic Delusions and Stone-Still Days(Sub Pop)cd$ 13.98
Falling somewhere between AQ faves the Burning Brides and other AQ faves the Electric Eels or Rocket From The tombs, the Catheters are about as close as anyone's come to being a modern day Stooges. Big praise, but this record smokes. It's heavy and noisy and
CLINE, NELS SINGERSInstrumentals(Cryptogramophone)cd$ 15.98
No, there's no singing, and these ARE instrumentals...'The Nels Cline Singers' is just Mr. Cline's clever name for what's really the new version of his fantastic Trio. Nels on electric guitar (of course, for he is the master of that instrument), plus bassist
CLINICWalking With Thee(Domino)cd$ 14.98
Ah... at last the second full length record from this fucking amazing band from Liverpool. Driving, hectic drums, sinister vocals, Moogs, and either clarinet or melodica weave a sonic landscape of dance-y smartness, or smarty dance-ness. Obviously heavily
COOPER, ALICEWelcome To My Nightmare(Atlantic)cd$ 16.98
Alice went solo in '75 with this slice of pop music horror theatre. Yup, no more Alice Cooper Band, just frontman Cooper, Alice himself (with producer Bob Ezrin and some pro studio hands like Dick Wagner and Tony Levin, even Kim Fowley). By the way, he
CORN ON MACABREI & II(Lumberjack)cd$ 13.98
It took me a while to even realise that the band name was a pun. That's always a bad sign. However, I instantly knew that Corn On Macabre is a BAD, BAD band name (this coming from the guy who reviewed the very amazing, terribly named Kareem Abdul Babar a few RealAudio clip: "Trojan Clown" [/audio/corntrojan.rm]
DALTON, KARENIt's So Hard To Tell Who's Going To Love You The Best(Koch)cd$ 16.98
Wow, what a gem of an album that I (Windy) can't believe I never heard before. Doubtless some of you are already aware of Karen Dalton, but for those of you who, like me, are new to her, here's the story: The half-Irish, half-Cherokee Oklahoman moved to New York around 1960, where she immediately fell in with the Greenwich Village folk scene (there's an awesome photo here of her, Bob Dylan, and Fred Neil). Though Dalton didn't write her own songs, her interpretations of pieces by Fred Neil, Jelly Roll Morton, Tim Hardin, etc. are just lovely... And HER VOICE! It's this glowing, honeydripping voice -- a country-blues Billie Holiday kind of voice. It is *stunning*. The instrumentation includes Karen on 12-string guitar and banjo, and she's got a talented band backing her up, but her gorgeous voice is foregrounded clearly throughout. Includes lots of liner notes (written by Peter Stampfel of the Holy Modal Rounders, Fugs, etc.) that appear to only scratch the surface of this amazing woman: she was a lifelong dumpster diver, for one thing, and also a single mom. She was reportedly so shy that only by sort of tricking her into a recording session were these songs ever laid down on tape! Most of them are first and only takes, recorded in one day: so fresh, so alive, so sweet. Enjoy.
DEAD AND GONEThe Beautician(GSL)cd$ 10.98
From right out of the starting blocks, Dead And Gone's comin' at ya full force - whether it be at a sinisterly creeping pace or a raging hardcore pummel-fest. Angry, festering vocals hoarsely growl over a thick, grumbling rhythm section and jaggedly angular
DELVampyr(Celebrate Psi Phenomena)cd-r$ 10.98
This is a single hour long track, an improvised soundtrack to a 1930 Carl Dreyer film. Turkish drum, electronics, guitar and powerbook. Very spare and ambient with lots of room sound, clicks and clatter, the sound of people laughing (at the film we would
DO MAKE SAY THINK& Yet & Yet(Constellation)cd$ 14.98
Less spaced out and expansive than their previous efforts, "& Yet & Yet" marks the third album from this Canadian post-rock, instrumental ensemble. Not a huge detour but certainly moving away from their usual much more drone-laden sound, they've composed
DOIRON, JULIEHeart and Crime(Jagjaguwar)cd$ 13.98
Much like that of Chan Marshall (Cat Power) or Karla Schickele (of Ida), Ms Doiron's lilting, low voice has the ability to either gently lull you to sleep or bring you to tears depending on your state of mind. There's a palpable heavy-heartedness tugging
DOUGLAS, DAVEThe Infinite(RCA/Victor)cd$ 16.98
Masada's trumpeter teams up with some of Downtown NY's hardest working sidemen for six new original pieces and covers of Rufus Wainwright, Mary J. Blige and Bjork! Yeah! Feelin' it! The sssmooove sssoundsss of jazzzzzz!
DOWNII: A Bustle In Your Hedgerow(Elektra)cd$ 17.98
The first song on the last Down record is easily one of the best (if not THE BEST) stoner-metal/New Orleans sludge rock song ever. EVER. The rest of the record didn't stand up to the opening track, but it was still a pretty solid record of ultra heavy stoner
EELSSouljacker(Dreamworks)cd$ 17.98
Rambunctious and often bombastic pop tunes with quirky lyrics about things like that "Fresh Feeling" and a "Friendly Ghost". Kinda sounds like the following fictitious encounter: one fine sunny day Beck is shufflin' down the street and bumps into Too Much Joy.
EKKOSinking Ships(Celebrate Psi Phenomena)cd-r$ 10.98
Danish noise-rocker Nicolas Kauffmann spits out a Dead C-ish free rock pummel. Guitars squeal and howl and roar into a dreamy din of chordal dissonance. Feathery, frothy soundscapes of drone-flecked brutality. The epic thirty minute final track is a slow
ELECTRONICATAmour Salé(Disko B)12"$ 8.98
Four new scorching tracks by the Wolgang Voigt of France, Fred Bigot aka Electronicat. More of the addictive filthy analogue nastiness -- the soundtrack to your after hours drunken stupor -- from the latest remix darling of Depeche Mode. Nasty and pungent -- like good cheese, er, like French music should be.
EMPTY MIRRORExtricate / Misnomer(Celebrate Psi Phenomena)cd-r$ 10.98
Empty Mirror is New Zealanders Ben Spiers and Karl Willis, utilising a strange array of soundmaking devices including acoustic guitar, violin, baby monitor, radio, reed organ, turntables, saucepan lids, dictaphone and more. In 'Extricate' (tracks 1-6) a
EYEHATEGODIn The Name Of Suffering(Century Media)cd$ 11.98
We've referenced these drugged and ugly New Orleans masters of sludge-core in tons of reviews, as they're one of the ur-bands that established the rituals practiced by anything heavy and feedback laden, like Cavity, Corrupted, Khanate, Iron Monkey, Grief, So it's about time we listed our favorite EHG album, their dark and dirgey debut "In The Name Of Suffering", first released in 1990 on the French Intellectual Convulsion label, later re-issued domestically by Century Media, with the original's gross medical cover pictures prudently tucked inside. When this came out, EHG immediately joined the Melvins, Skullflower, and Hellhammer in the pantheon of the heaviest, most fucked up bands ever. Misanthropic metallic misery, complete with samples of Charles Manson's wisdom. Later EHG albums are good too, but this one was never surpassed. If you are one of Aquarius' "doom" customers and you don't have this disc, we urge you, in the name of suffering, get it!
FAUSTFreispiel(Klangbad)cd$ 17.98
Legendary krautrock band Faust's 30th anniversary is being celebrated with not free pinball and fireworks, but remixes... The remix cd ep that preceeded this was ok, if unneccessary. Here's the full remix album, with one of that Soft Cell guy's mixes from the ep, plus mixes from other mostly Euro electronica folks (Kreidler, Howie B., Surgeon, Funkstorung among them). Dead Voices On
FLYING LUTTENBACHERS, THEInfection And Decline(Troubleman Unlimited / UG Explode)cd$ 10.98
The umpteenth (tenth, actually) long player from Weasel Walter's constantly mutating free jazz / black metal / no wave / prog monster. "Infection And Decline" is the first recording to document the latest incarnation of the now-stripped down trio featuring
FLYNT, HENRYC Tune(Locust)cd$ 14.98
Another gorgeous document of keening high end drone exploration from this central figure in the sixties Fluxus scene. The focus (as always) is on Flynt's electric fiddle, that squeals and scrapes and glides effortlessly between notes and deep into
FULL MOONState of the Artist(Monster)cd$ 12.98
More '70s collector cock-rock rediscovered and reissued by the maniacs at Monster. If you like Truth & Janey, JPT Scare Band, Ultra, Winterhawk, here's another gem from the past. 1980 actually. Full Moon rocked Pennsylvania clubs and bars with Thin
GENUINE ELECTRIC LATIN LOVE MACHINE FEATURING JESTER, DJIntroducing The Neat Beat(Compulsive)cd$ 11.98
By now you're probably sick of hearing how much AQ adores DJ Jester -- the Filipino Fist, the Boca Burger Slingin' Travelling Turntablist. His bedroom turntablist debut River Walk Riots disc is still a bestseller here, a crazy and a super funky/funny ride Anyway, like Kid Koala did with Bullfrog, Jester has now released a disc with a band, Genuine Electric Latin Love Machine. It's loads of fun and a logical progression from the lo-fi River Walk Riots. Here the sound is much more hi-fi, the samples are fleshed out with upbeat and booty-shakin' rhythms, and the result is an honest to gosh party disc on the level of Milk Cult, Cat Five, and those Future Primitive live mixes. Yep it's that good. And I have to say the "Edgar" track with the sad sack Simpletext voice lamenting how lonely he is ("it sucks to be me") gets us every time! Very fun, worth a listen, say Windy and Andee.
HELLACOPTERS, THEHigh Visibility(Gearhead)cd$ 13.98
The domestic release! Sweden's been churning out some fiery garage punk in the last few years. Example #1: The Hives! Example #2: these guys! Actually calling these guys garage punk - a genre in which they've been frequently categorized - is a bit misleading.
HERBALISER, THESomething Wicked This Way Comes(Ninja Tune)cd$ 16.98
I'm a fan of the Herbaliser, the Ninjatune duo whose mix of hip hop, trip hop and noir-ish beats is consistently really clever, listenable, and pretty much mistake-free. This new full length is really worth a listen. The record begins with a deep,
HERBERTSecondhand Sounds(Peacefrog)2cd$ 21.00
When Matthew Herbert, the lauded electronicist who has also recorded as Wishmountain and Doctor Rockit (and probably a few I don't even know about), releases music simply as "Herbert", then you know he's in his experimental house music guise. Therefore you must What we have here is a double cd of remixes Herbert has executed for other folks, and a few on himself too. Remixees include Mono, Moloko, Nils Petter Molvaer, Motorbass, Terra Deva, and lots more. Now, as much as I like Matthew Herbert's Doctor Rockit persona, where he displays his delightful penchant for sampling the sounds of everyday objects like crunchy apples, I also have to say that with all these remixes gathered here in one place, Herbert's formula becomes clear: [1] take a vocal snippet from the original song, [2] loop it "artistically", [3] add some tinny house beats, and [4] let the thing repeat itself for six minutes. Maybe it wasn't such a good idea to gather the remixes in one place -- because you kind of don't want to know that the guy has a formula at all. However, there are lots of folks who just love this sound, represented by the audio clip we've included below (of Gainsbourg's "Bonnie & Clyde" for heavens sake!), and will like this. I'm just not one of them.
HIRSCHE NICHT AUFS SOFAIm Schatten Der Mohre(Streamline / Drag City)cd$ 14.98
"Im Schatten Der Mohre", originally released in 1987 on Dom Records, was the fourth album from the collected bent minds of Christoph Heeman, Achim P. Li Khan and Andreas Martin. Long deleted, unavailable for years, and thus highly sought after, this
JECK, PHILIP / OTOMO YOSHIHIDE / MARTIN TETREAULTInvisible Architecture #1(Audiosphere)cd$ 16.98
The first release on the new label Audiosphere is also the first in a series, called Invisible Architecture, of experimental music collaborations. Despite the series' foofy highbrow title and the annoyingly oversized "super jewel box" (which merely ensures that The soundclips chart the progression of the piece, so listen to all three.
KAWABATA, MAKOTOInfinite Love(Ochre Records)cd$ 14.98
This guy could poop on a stick and someone would put it out! And someone else would pay a lot for it on eBay! Thankfully, so far, he hasn't done quite that. But here's yet another (non-poop) new release from the man... A blissful, if relatively non-active, listening experience proferred by Kawabata Makoto, leader of the wild psych freakout band Acid Mothers Temple. This is the music Kawabata makes when he's sleepy, maybe, and there are no jarring effects to disturb the blissful vibe, so it's also perfect for *your* bedtime. Improvised on guitar with no overdubs, the music sleepily drifts between good dream vs. nightmare. If you play it loud, the tension will crowd out all your other thoughts. If you play it quiet you'll feel rather soothed in its undemandingness. Three long tracks totalling 74 minutes.
LOW / VIBRACATHEDRAL ORCHESTRAsplit 7"(Misplaced Music)7"$ 5.98
Expensive split single from the UK. One of Low's best-loved but never-released songs, "David & Jude" is brief and starkly beautiful. The addition of Calvin Johnson on melodica is very nice. Leeds quintet Vibracathedral Orchestra offer up a cyclical
LUGOSIGolden Five Aluminum Lake(Celebrate Psi Phenomena)cd-r$ 10.98
Gorgeous, lo-fi, space-y, almost ambient free-rock, dark and langorous. Minor key and strangely melodic, almost sitar-ish guitars crawl lazily over deep reflective drones and muted feedback. Late night, bliss out, doped up dream music. Think the Dead C